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beloved essays past American Literary Traditions:ENGL 218 (Spring 1997) Randy Bass (GeorgetownUniversity) BELOVED ESSAYS, ROUND TWO. Zach Korman Ben Randol Lexi Reck. A key aspect of this particular paragraph is embodied in vs south, the passage, The future was sunset; the past was something to leave behind. And if it didn't stay behind, well, you might have to why did hitler dislike the jews stomp it out.(256) An issue in ireland, these lines, and similarly throughout the and broadsheet novel, is the question of whether or not it is ever possible to move past tragedy or horror into a 'sunset'-the descending course of life. In this paragraph, Ella adamantly declares that the vs south realms of the past and present are two that must be maintained as distinct. In her eyes, grappling with the social welfare examples horros of the past merely serves as a hindrance in a world where even the future holds uncertainty and the possibility for more upheaval. In the case of vs south Sethe hersewlf, the ramifications of why did hitler the jews her past were too powerful to be reconciled in this manner.

The reality lies with the vs south fact that the wuthering manipulation of memory is ireland not necessarily a matter of choice, but rather a permanent component of the Brief a Treat: The Letters individual which may either serve as an obstacle or a motivation for action. Ireland? My terible traumatic memories will never leave me. Everything is still very much alive in me.(testimony of Judith Jaegermann-http://remember.org/witness/jaegermann.html) In terms of many Holocaust surviviors, the specter of the past remains perfectly intact after 50 years. Do I want to remember. The Rez Sisters? No, I don't want to north ireland remember, but I can never forget. I have to remember(http://remember. Wuthering Plot? org/witness/kimel2.html) Likewise, Alexander Kimel recognized that although the ireland past may never be abandoned, it must serve as a haunting symbol that future generations must avoid at all costs. The notion of a linear progression through the course of one's life is ultimately forfeited by the rez sisters an event of this magnitude. But her brain was not interested in the future. Loaded with the past and vs south ireland, hungry for more, it left her no room to imagine, let alone plan for, the next day.(70) In the life of the rez sisters Sethe, the north ireland past of Beloved becomes the present/future, where it must be recognized for the sake of t.j. eckleburg her own life.

Morrison forms the past in vs south ireland, the shape of Beloved, a figure bloated and wuthering heights, pregnant with history and north ireland, rememories Beloved enters Sethe's world to haunt her, to between tabloid and broadsheet propel her, to vs south force her to ressurect those memories she stores in the rez sisters, the recesses of north ireland her heart and mind. The Letters Capote? Beloved makes Sethe acknowledge the past to north realize that what tragedies occurred in her life will not fade away or lay down until they receive proper burial; Sethe must rememory, probe and reconcile with her past. Beoved confronts her with overwhelming and vivid memories Sethe must deal with. Extrinsic Motivator? Sethe becomes consumed by them, for Beloved is vs south swallowing her whole. As Beloved grows, Sethe slowly dies. Dislike The Jews? Until Beloved is harnessed, Sethe will dwindle under her power. North Vs South? Beloved, symbolizing all the extrinsic pain of days past, needs to be resolved, placed in a realm that allows Sethe to move on and live. Her past cannot go on haunting her forever. A great deal of Beloved involves possession and north, the role of memory. Morrison writes on motivator page 256 that Ella didn't like the north vs south idea of past errors taking possession of the present.

This sentence raises the following question: can you remember the extrinsic past without its taking possession of you -- indeed inflicting pain on you? Perhaps more fundamentally, are we a product of north vs south our experiences/actions, painful though they may be? If the human brain can purge itself of The Homeless in Canada Essay past experiences, then this question would be resolved. It is obvious that certain experiences are so insignificant that they remain isolated and forgotten. However, it is evident that certain traumatic and/or perpetually re-enforced experiences do indeed live on ireland into the why did hitler the jews present, taking possession of ireland us (i.e. influencing the way we think/act). Like ghosts, these experiences/actions haunt us daily. Victims of slavery and of the in Canada Holocost were and, in some cases, are possessed by vs south the past (as Sethe so clearly is). Coping with past demons remains an dislike the jews, important personal/human delemma in real life, as in Beloved . Patrick Ball Cleveland Lawrence III.

This passage clearly illuminates upon ireland, the recurring theme of visual imagery bringing the pain of past, buried experiences to t.j. eckleburg ones current conscioussness, and perhaps providing a better understanding of those experiences or allowing a coming to grips with the horrors of the past. The thouhght pictures that Sethe talks about north ireland, clearly bring back the the rez sisters painful rememories of the experiences of north ireland her past - for Essay of Too Brief a Treat: The Letters of Truman Capote her, despite the north vs south fact that she is difference tabloid and broadsheet hundreds of miles north from where they occured, the$ place will always be real. North Vs South? A major portion of the The Homeless novel deals with her, as well as characters such as Paul D and even Baby Suggs, deals with the north vs south characters coming to grips with these experiences, accepting and recognizing them in their consciousness, and moving forward. A number of the Nagasaki accounts deal with the between same idea of visual imagery bringing the realness of the past tragedy to light and how the survivors have dealt with it and moved forward in their lives. North Ireland? One such account reads: So many older Americans have a sense of shame about the the rez sisters Bomb, even though only a few men, now dead, participated in the decision to pursue this course. Katherine Wilkins, 35, librarian/archivist. North Vs South? Of course, Katherine was not alive at the time of Discussion Brief a Treat: this event, but yet, she still feels the effects of it. This is ireland a manifestation of what is extrinsic motivator being said when Sethe says: The picture is north vs south still there and hitler, what's more, if you go there--you who was never there--if you go there and stand in the place where it was, it will happen again. Vs South? For Denver, this event will not g o away, even though she had no personal experience with it. For the historical place, the tabloid event will always be an element of north vs south ireland history. This seems to be the experience behind this account: My name is Amy Hashimoto and I am a 25 year old neisei.

I grew up in the U.S. but lived in Japan for the rez sisters a summer in 1989. One of the highlights of north ireland my trip was a visit to between tabloid the Hiroshima Peace Park. North? I had read up on the atomic bomb and its effects on the people of Hiroshima before I went. The most touching and memorable exhibit was the welfare examples drawings made by vs south the Hiroshima victims, depicting the events after the bombing. Welfare? Most were simplistic, but all were very horrifying to ireland me. Having visited other museums, such as the Holocaust Museum in D.C., I think that the most memorable exhibits are include commentaries from the victims. Tabloid And Broadsheet? What struck me as particularly sad about the Peace Park was the indifference of some of the visitors. It concerned me that children could not understand the suffering that had occurred, and north, the very possibility of such an event occurring again. In conclusion, the point that Sethe is making in the passage is the rez sisters that memories, which become rememories, will never go away. Vs South? She says, that nothing ever dies, because the historical places remain,as well as the visual pictures that are related to others.

The bitter sweetness of memories is The Homeless that althoughthey help to vs south guard against the physical events happening again, they happen again for why did hitler dislike both the vs south person with the memory, and extrinsic motivator, the person who has the ireland rememory. Grace Slattery John McGowan Meghan Cunningham. As Denver tells of her fear of the social welfare examples memories and vs south, rememories, she is also speaking of her need and examples, desire to know what those memories truely do hold.She reveals her need for Sethe to speak the unspeakable horror of her past when Denver says, I don't know what it is, I don't know who it is, but maybe there is something else terrible enough to make her do it again. I need to know what that thing might be, but I don't want to. Denver is revealing her need to understand the events of Sethe's life that have had such an impact on Denver's own life. Sethe has to understand that the effects of her past are not limited to her life, but also define much of north who Denver is. Wuthering Plot? Denver therefore feels a strong need to north ireland understand this past.

It is Capote not enough for her to know the objective facts of the past, she has got to go beyond that to understanding. North Ireland? This idea is reflected in Judith Jagermann's Memories of and broadsheet my Childhood in the Holocaust (http://remember.org/witness/jagermann.html). Ms. Jagerman describes her Holocaust experiences with amazingly accurate detail. However, despite her excellent memory of the events, she does not now and vs south ireland, did not then understand the reasons for the Holocaust. Difference Between Tabloid? She recalls thinking How is it possible that grownups are capable to do these things to others?. North Vs South Ireland? Where is Justice and t.j. eckleburg, why do we deserve this? Both this Holocaust memory and Denver's plea show us the need to speak the unspeakable. But, when this dialogue does occur it cannot be a simple recounting.

It has to be aimed at vs south, understanding. One of the most interesting things about Denver is that she is much like the reader. She does not know the whole truth, as Sethe does, and just as the reader discovers more about the past as time goes on, so does Denver. It is through her eyes that one sees how the plot past is told, how those who did not live it find out vs south ireland what happened, and how both knowledge and ignorance influence the present. T.j. Eckleburg? Part of the vs south past is known to Denver, and motivator, that knowledge scares her into vs south, doing certain things. All the time I'm afraid that thing that happened that made it all right for my mother to kill my sister could happen again.

I don't know what it is, I don't know who it is, but maybe there is something else terrible enough for her to do it again.(p.205) Here Denver knows that her mother killed her sister, but she does not know what it was that made her kill her. Over the years Denver has heard bits of the truth, but it was so horrific, that no one ever sat down and told her the whole story. This is Discussion of Too Brief a Treat: Capote a common theme in much of the vs south ireland holocaust literature. Events so terrible that those who experienced them may talk amongst themselves, but the stories are past on only in bits and pieces to younger generations. In the following piece Ann Levy, who's interview is on why did dislike the jews the Louisiana Holocaust Survivors Website, describes both her experience of ireland hearing stories from her parents and of Truman, also in telling the stories to her children. (laugh) For a long time, I think we found that with our parents, the older survivors, they had really hard time talking about north vs south, it even to their children so we lived for tabloid and broadsheet the last thirty years of so, we lived really in vs south, silence, you know, and whatever we may overheard the why did hitler the jews adults speaking among themselves is what the north vs south ireland kids would pick up. You want me to hold it? No, actually, but I see a problem developing with this hand.

Oh, OK. But, ah, so you know they never discussed it with the difference between and broadsheet children. So it was just bits and pieces that the kids would pick up, as youngsters at home but with myself there was a lot that I remembered, I didn't have to be told because I was old enough to north ireland remember so and t.j. eckleburg, yet it wasn't something that we discussed or we talked about or once and a while. North? And I guess I did the why did hitler dislike same thing with my children, really didn't go into vs south ireland, detail, I didn't sit them down and say let me tell you a story of Essay Brief a Treat: The Letters Capote you know how it was. It was I guess by drips and ireland, draps. It came out.

In this passage, Morrison touches upon of Too a Treat: The Letters of Truman Capote, the concepts of ireland memory and remomroy relating them to The Homeless Essay the repression so ften found in victims of horrible events and tragedy. North Ireland? In the t.j. eckleburg moments before Sethe touches Paul D's knee, he relates some of the most painful memories he has of Sweet Home to ireland her. Essay Discussion The Letters Of Truman Capote? Unable to vs south take in all that she is difference tabloid and broadsheet hearing, Sethe stops his narration with the vs south ireland slow methodical movements that characterize her methodical repression of the painful past. T.j. Eckleburg? Both Sethe and Paul D work to keep the vs south past tucked away inside the Discussion a Treat: The Letters Capote tabacco tin inside them where the north vs south personal pain of the past resides. The Homeless Essay? They both believe in north ireland, the concept of examples remomory and ireland, fear that confronting the past might push them both to a place they couldn't get back from. Difference Tabloid And Broadsheet? Retelling the vs south ireland horror of the past might make the feelings and fears that existed then come back to haunt them and between and broadsheet, keep them from their new lives that they have worked so hard for. Morrison concludes the chapter from Sethe's perspective: Working dough. Working, working dough. Nothing better than that to start that day's serious work of vs south beating back the past. Social Examples? Sethe fears the things that reside within her memory for she fears the rememories that might surface and north, destroy the calm she has found.

However, this passage marks the wuthering heights plot end of the first significant step away from repression of memory. Ireland? It marks the in Canada Essay first discussion of the north vs south ireland past that might lead to healing by t.j. eckleburg spreading the pain and vs south ireland, sharing the story with others who lived through the event, making it less dangerous and more relevant to the entire community. The relationship between storytelling and desire is an difference between and broadsheet, important theme in Beloved. Storytelling serves an important function as a way to communicate communal memory. As such, it becomes a communal experience, in which the role of the listener is vs south as significant as that of the teller.

Our passage clearly illustrates this, as Sethe uses her authority as a listener to block the difference between telling of Paul D's story. As Paul D thinks to himself after Sethe places her hand on north his knee to silence him, Just as well. Just as well. Saying more might push them both to The Homeless in Canada Essay a place they couldn't get back from. (p. North Ireland? 72)Paul D questions his ability to face the past which he has locked up in extrinsic motivator, his heart, and north ireland, certainly Sethe does not desire to t.j. eckleburg hear what Paul D has to say. Vs South? When memory is the property of the whole community, the community must consent to motivator the act of remembering.

The desire to remember can only ireland come when both the teller of and the listener to motivator the past feel prepared to north face it. Sethe chooses to continue, beating back the past, (p. 73) which makes the process of examples communal remembering unwanted. North? The story of Ann Levy's family silence shows that this phenomenon is not limited to victims of slavery, but is wuthering heights plot common to all communities that suffer unspeakable horrors. The passage which begins on ireland the bottom of p. 72 and continues to welfare the end of the chapter illustrates the typical psychological response to north vs south a horrifying event: repression. Paul D has quite simply taken the t.j. eckleburg terrible experience of the vs south bit and social welfare examples, locked in that tobacco tin buried in vs south, his chest. T.j. Eckleburg? The memory of the bit and the rooster, and by north vs south extension Paul's entire slave experience, is too much for him to Essay bear. In order to north vs south survive it, he has had to Essay harden himself- to vs south the memory, and to life in dislike, general. Paul has cut himself off from the pain of emotion, from the north risk of hope, and as a result, no red heart bright as Mister's comb beats in tabloid, him. However, in the presence of north vs south Sethe, who shared much of Paul's experience, he is able to The Homeless in Canada Essay relase some of his repressed feelings and memories.

Of course, this process of remembering is vs south ireland slow and fraught with psychological peril. Why Did Dislike? If Paul and Sethe take it too fast, if the floodgates of the north vs south ireland past are unchecked and everything rushes out in a uncontrollable wave, a mental breakdown could be the result. They could very well end up in a place they couldn't get back from. Too much pain can do that, even to the strongest of difference and broadsheet people. Vs South? In the same way the novel takes a cautious and indirect approach to remembering the Essay Discussion of Too central atrocity of Beloved's murder, and north ireland, the various atrocites inflicted upon in Canada Essay, the Sweet Home group, so too do Sethe and Paul approach thier own memories. Even the ireland most tightly rusted tobacco tin and the largest mass of unworked dough can't beat back the past forever. Tyler Moynihan Mary Ferguson Judd Spray Nicole Bostick.

One theme from the memory section sources addresses the t.j. eckleburg notion of the insurmountable guilt that holocaust survivors experience. It seems there are two types of guilt in north ireland, Beloved. The Homeless In Canada? There are those who experience guilt as a result of actions they committed in north vs south, the face of injustice (those who challenge injustice) and those who turn away from injustice (those who do nothing). These different reactions to injustice cause guilt but this guilt is manifested in different ways. Sethe's murder of her child as a reaction to the injustice of the heights men without skin caused her severe pain that was tangibly confronted by north the manifestation of her daughter in Beloved. In contrast, Stamp Paid felt guilt because he did not confront the wuthering heights plot injustice of the white owner's relations with his wife.

The two men were able to north vs south laugh about The Homeless Essay, Sethe's experiences partly because they did not understand the ireland immense suffering of why did hitler dislike Sethe due to ireland her confrontation of injustice. Discussion A Treat: The Letters Capote? The passage on vs south page 265 also conveys the difference tabloid and broadsheet message that sometimes when something is north vs south so horrible, the of Too Brief Capote human mind can use humor as a way of dealing with pain. Ireland? Paul D and tabloid, Stamp Paid made a joke out of Sethe's attempt at ireland, murdering the white man who came to between the house. Vs South Ireland? Part of the passage says, its seriousness and its embarrassment made them shake with laughter. This line exemplifies the why did dislike fear they both felt and north vs south ireland, how through a joke they could try to cope with their emotions.

When reading through testimonies of motivator witnesses of the Holocaust, I came across a testimony of north a woman who was sent to Auschwitz during World War II with her family. She said that when they arrived at social welfare examples, the camp all the north vs south women were immediately shaven all over their bodies. She said that when all the heights hair was removed they all looked like monkeys. North? In addition, while some were crying after they had been completely shaven, others could only laugh hysterically. I felt that this passage supports the passage on page 256 as once again sometimes humor or laughter is heights plot used to deal with pain that one feels when it is vs south so great. Welfare Examples? While it almost seems insane for north ireland people to laugh at the rez sisters, traumatic or horrifying experiences, maybe laughter is north vs south what prevents people from really going crazy. Paul D loved Sethe and Stamp Paid I believe also had an the rez sisters, attachment to her. North Vs South? While they cannot understand what motivates her actions, they have a connection to her. Her action against the white man they could not understand.

Humor could make the pain and the confusion of the why did hitler the jews situation into a better understanding. Finally, this passage seems to north vs south ireland be concerned with the difference between the perspectives of men and women. The idea that the the rez sisters mens' laughter was rusty at first conjures the vs south image of the tin box into which Paul D has put his memories. Men, or at least Paul D in this book, can open and close their boxes at will, and why did, while it can be painful to do that, the vs south option is in Canada Essay theirs. Sethe, on north vs south ireland the other hand, is hitler the jews haunted by her worst memory, and so powerful is vs south it that it takes on a human form. There is no hiding from the past for her, at welfare examples, least not until the end of the north vs south ireland book. The fact that the two men can sit on the steps and laugh at Sethe's mental imbalance is a least a little jarring in this book.

There are relatively few light-hearted moments, and it is odd that one of them occurs between the two men characters, especially the two who put their heads together to destroy Paul D and Sethe's relationship earlier in the book. After reminding Sethe of how many feet she has, it seems inappropriate for Brief a Treat: Paul D to laugh uncontrollably at ireland, her. Of Too A Treat:? Perhaps he can do this because he does not feel the depth to north ireland which the decision to kill her children touched Sethe, and can only see the in Canada action as wrong. Vs South? It is either inhuman or so wrong that it becomes funny. Essay? Baby Suggs would never joke about Sethe this way. Nicole Bostick's Response: I just wanted to briefly expand on some points made by north Tyler, Mary, and welfare, Judd in their Beloved essay regarding the passage on vs south ireland p262. Yes, I agree there is an in Canada Essay, opposing method of dealing with memories between the vs south ireland men and women of the novel.

As was mentioned, Paul D. T.j. Eckleburg? has the ability to north vs south ireland open or shut his tin box. Hitler? He makes a conscious decision to permanently seal the lid on his painful and ireland, tragic past. There are times when he does remember, for example in the prescence of Sethe. But I gather though difficult, this is an tabloid and broadsheet, active decision on his part to do so. North? The same can be said of Stamp Paid, another male character of the story. Why Did? Like Paul D., Stamp acknowledges the past at his own volition. North Vs South? For example, memories for The Homeless in Canada him are emboddied in the red ribbon that he cherishes, that he exudes from his pocket as he feels is vs south ireland necessary. Or consider when he makes the decision to extrinsic bring up the past, Sethe's past in vs south, fact, to Paul D. Obviously the why did the jews males of the novel are somewhat in control of their past, of their memories. And when theirs past do attempt to north ireland dominate them these men simply walk away from it. We see this from Stamp Paid who abandons his wife and that entire sordid situation, and we observe it even moreso from Paul D. who migrates all over the US in social, an effort to north vs south forget his past.

Sethe, the the rez sisters central female character of the novel, does not have this power to control, or even walk away from north, her past. In fact she is brutally confronted by welfare examples it over and over again. The isolation she suffers in ireland, her community is the rez sisters a constant reminder of north ireland what she did. Between And Broadsheet? The scars on her back will live with her as scars of her tragic past forever. North Ireland? These kinds of why did hitler reminders perhaps are bearable for Sethe. She can even tolerate the prescense of the ghost of her baby girl living in her home, forcing its way into her life. However, both Paul D. and Beloved enter her home as horrible harbingers of mermory. Pauld D. carries with him some joyful memories of the north past, but also painful ones as well, even new ones.

He tells Sethe of the fate of difference and broadsheet her husband Halle, of him seeing what happened to her and ireland, consequently going insane with the knowledge of Essay Discussion of Too a Treat: it. North? Beloved brings an The Homeless, even more hurtful past with her as the reincarnation, the north vs south human form of Sethe's baby girl; for with her, Beloved also carries guilt. Dan Cohen Rachel Luttio Tomoko Yamazaki. Difference Tabloid And Broadsheet? In the passage on north vs south ireland page 251, Sethe reduces her universe of in Canada Essay fears into the statement that anybody white could. not just work, kill, or maim you, but dirty you. Vs South? Whites might dirty her all right, but not her best thing. the part of a Treat: The Letters Capote her that was clean. In this statement, Sethe admits for north vs south the first time that the reason she killed her child was to avoid that dirtying--the complete loss of self-worth and the worse thing that came out of The Homeless Essay slavery in vs south ireland, Sethe's opinion. Plot? By doing this, Sethe was trying to vs south ireland protect her daughter and t.j. eckleburg, keep her clean. This finalizes the theme of protection that has run throughout the book. First, on ireland page 42 Sethe explains that the t.j. eckleburg job she had of keeping [Denver] from the past that was still waiting for her was all that mattered. Later, on page 73, she says that her day's serious work [was] beating back the past. Though the north ireland first quote involves Denver and dislike, not Beloved, it is clear that she feels the same way about the north vs south ireland latter because it is the the rez sisters very reason she kills her.

Protection, then, and north vs south, the use of social welfare examples story-telling and north ireland, rememory, are essential components of the difference between novel. Protection from the north vs south past is also a serious component of the wuthering trials and ireland, tribulations of Holocaust survivors. In fact, one tale by in Canada a survivor is almost entirely parallel to this particular theme. When speaking about her experiences, Judith Jagermann remarks that upon entering the train that would take her family to vs south ireland Auschwitz, the motivator continuous fear of the north vs south ireland unknown, or that we would be torn apart, was hell for me and almost unbearable, though it seems that one can suffer worse; a person can be humiliated to welfare examples such an extent, as if he were just some disgusting animal (http://remember.org/witness/jagermann.html). Jagermann's concept of humiliation seems very similar to Sethe's formulation of dirtying.

Both examples involve the complete loss of self-esteem through humiliation, both author's claim they are among the worst feelings in the world, and ireland, both are worthy of protecting one's youth from. Of Too A Treat: Of Truman Capote? The passage is also an excellent example of the extreme pain involved in remembering. In the north passage, Sethe struggles with the fear of Beloved leaving before she can explain the reasons behind her slaying. The difficulty in explaining her actions comes from the sheer extent of pain involved in the memory of this act. Try as she might, Sethe will never be able to hitler dislike the jews explain to Beloved the north ireland measure of extrinsic motivator her agony in killing her. For Sethe, the retelling of the memory (the rememory) simply can't carry the north ireland same emotional weight as the memory itself. Similarly, in motivator, one of the Nagasaki accounts (www.exploratorium.edu/nagasaki/memories/amemory2.html), the north daughter comments that her mother described the atomic bombing as sort of a minor car accident. Wuthering Heights Plot? Clearly, the vs south mother's rememory does not accurately communicate the t.j. eckleburg full extent of the emotions involved with the north vs south ireland memory. In both these examples, then, the wuthering question remains: How does one express the full weight of a memory in the act of rememory? If a full explanation is north ireland impossible, how can one get closer? Story telling is another theme of great importance that is tabloid stressed in north vs south, this passage and it is clear that this telling influences all of the major characters.

First, it is the rez sisters important to north ireland note that it is plot only through the story telling that Denver comes to understand her mother and can begin to north vs south go on of Too Brief with her own life. Although she had heard stories before, it is vs south only here that Denver learns of hitler the jews her mother's reasonings and north vs south, no longer fears that Sethe will kill her at extrinsic, some point. The story telling is important to vs south ireland Sethe because only t.j. eckleburg through it can she convince Beloved and herself that what she did was right. Therefore, it is at this point of the ireland novel that the act of tabloid story telling unites Sethe, Denver, and north vs south ireland, Beloved. The narrator says, This and between and broadsheet, much more Denver heard [Sethe] say from her corner chair, trying to persuade Beloved, the vs south one and extrinsic, only person she felt she had to north vs south ireland convince, that what she had done was right because it came from true love.

Thus, story telling not only serves the purpose of letting the social welfare readers know about the north vs south past lives of the characters, but it also becomes the examples bridge that ties together all of the characters and events and the reasons for those events that had to happen. Ireland? The same Nagasaki account also involves story telling and its ability or, at least, attempt to explain the extrinsic past. The mother, though drastically misrepresenting the north ireland enormity of the event, still is speaking to her daughter about it. Here, then, story telling plays a huge roll. Wuthering Heights? Also, tying into the first theme we discussed, her misrepresentation of the fact (just a car accident) could be seen as an ireland, attempt to protect her daughter form the difference tabloid and broadsheet horrors of the event. North Vs South? Aaron Davis Allision Tepley Sarah Toner Virginia Hamner. The Homeless In Canada? In this passage, Morrison touches upon the concepts of north memory and heights plot, remomroy relating them to north vs south the repression so often found in victims of horrible events and extrinsic motivator, tragedy. In the moments before Sethe touches Paul D's knee, he relates some of the most painful memories he has of vs south ireland Sweet Home to her. The Homeless In Canada? Unable to take in vs south ireland, all that she is The Homeless hearing, Sethe stops his narration with the north ireland slow methodical movements that characterize her methodical repression of the painful past.

Both Sethe and Paul D work to hitler dislike keep the north vs south past tucked away inside the wuthering heights tabacco tin inside them where the personal pain of the past resides. They both believe in the concept of ireland remomory and Essay The Letters of Truman Capote, fear that confronting the ireland past might push them both to wuthering a place they couldn't get back from. Retelling the horror of the past might make the feelings and vs south ireland, fears that existed then come back to t.j. eckleburg haunt them and vs south, keep them from their new lives that they have worked so hard for. Wuthering Heights Plot? Morrison concludes the chapter from north vs south, Sethe's perspective: Working dough. Working, working dough. Nothing better than that to The Homeless Essay start that day's serious work of beating back the north vs south ireland past. Sethe fears the things that reside within her memory for she fears the t.j. eckleburg rememories that might surface and destroy the calm she has found. Ireland? However, this passage marks the end of the first significant step away from repression of welfare memory. North Ireland? It marks the t.j. eckleburg first discussion of the vs south ireland past that might lead to healing by spreading the pain and the rez sisters, sharing the vs south story with others who lived through the event, making it less dangerous and Essay Brief, more relevant to the entire community. The healing of vs south escape . Later, the tabloid and broadsheet passage of Sethe in vs south, the Clearing shows her newly acquired ability to express her feelings and to allow her terrible memories to be shared with other people.

Sethe had to break from the dominated life of a slave to understand herself. All of the feelings that she suppressed had the freedom to social come out, when Sethe herself gained freedom. Vs South? The complications of escape, however, made Sethe's road more difficult. For the wuthering heights plot first month of her freedom, Sethe had to look down the road for north vs south the white men who might someday find her. When the white men came and The Homeless Essay, Sethe killed her daughter to avoid capture, Sethe had to spend the rest of her life freeing herself from slavery and vs south ireland, murder. Social Welfare? She could escape the vs south physical limitations of slavery, but in this scene on Baby Sugg's rock, she can not escape the motivator impressions of north vs south slavery on her heart. An interesting link to Sethe's escape comes in the story of two Jews who escaped from extrinsic, Auschwitz during the north vs south Holocaust (http://remember.org/witness/wit.res.esc.html). These two men planned carefully their escape and made it to between tabloid Slovakia. Like Sethe, they must have always looked behind them for pursuers. North Vs South Ireland? One of them, also like Sethe, could not completely escape Hitler's grasp and was returned to Auschwitz when the Slovakian Jewish ghetto was tapped by the Gestapo.

By telling Beloved in a stream-of-conscious, dream-like manner, Morrison brings to reality the fact that memories really do assume a life of their own. She uses this fact as a tool throughout the motivator novel to bring a new set of themes to a particular situation, or to either support or add other dimensions to north vs south ireland old themes. T.j. Eckleburg? In the paragraphs surrounding the scene at The Clearing with Beloved, Sethe, and vs south ireland, Denver, Baby Suggs massages Sethe's soreback (and sore soul) trying to why did hitler calm her unruly 'rememories'. This triggers a recollection in Sethe of north vs south ireland Denver's birth, and also of of Too Brief The Letters Capote Halle, subsequently causing Sethe to re-examine her relationship with Paul D. In this instance, memories actually guide the path of the north ireland narrative, directing the extrinsic novel back to vs south ireland the house at 124, where Sethe decides to cook a dinner for difference between and broadsheet Paul D and herself that will launch her newer, stronger life with a tender man.(p.99) Morrison here has successfully used Sethe's rememories to ireland connect her trip to t.j. eckleburg the the vs south Clearing to her situation with Paul D. Through allowing the past and its ramifications control of the Essay Discussion of Too narrative, Morrison can tell us more about who the north vs south ireland characters are than we chould ever gain through observing their actions. Why Did The Jews? The beloved memories of Sethe and Paul D become bearable only becuase they can be shared. North Vs South? It may be Denver (that can only wuthering reconstruct the north meaning of extrinsic these memories) who may be the north ireland worse off. Sethe and hitler dislike, Paul D are disallusioned that they understand why the past took the course that it did--simply bacuase they were there to north witness it. It is the in Canada issolated confusion of Denver, fueled by the presence of Beloved, that allows us to observe the destructive presence of north ireland these memories in why did the jews, 124. The 'Jim Crow' laws, along with other legislative measures, were the north ireland methods used by the racist whites in power to prolong the Negroes' suffering, while, in the eyes of some, 'raising' their standard of living by extrinsic motivator declaring the north vs south ireland African-American race 'separate but equal'. Such an illogical statement shocks our generation, making it hard to heights believe that our land of opportunity not only oppressed the vs south Negroes during slavery, but also under freedom. The so-called 'separate but equal' statement collapses under its sheer absurdity, since there wasn't, isn't, or will be any reason why two 'equal' races should be separated.

If no differences exist between the why did hitler the jews two, there can be no justification of a systematic procedure barring their co-existences. North? What fears exist, or existed, that could warrant their existence in separate environments? Only one comes to mind, yet it negates the Essay Discussion of Too a Treat: The Letters of Truman very same premise upon which the ireland argument begins. The white man's belief that the races are not equal, as witnessed by the divergent condition of the t.j. eckleburg train accommodations for coloreds and non-colored, as well as by the insistence of die-hard racists to vs south keep the African race prey of of its ignorance by denying schooling to blacks are but two examples of the welfare true belief of the north ireland white man: the t.j. eckleburg races are not equal. Morrison briefly mentions the vs south latter example on p.102 of between and broadsheet Beloved, when she mentions Lady Jones' illegal and immoral actions (according to vs south ireland white standards) of providing education to colored people. The supposedly equal treatments, is, thus, fictional, and t.j. eckleburg, not a true desire in the white man's heart.

As stated above, the vs south ireland racist faction of the American people sought to lengthen the why did hitler dislike deplorable living condition of the black population under a mask of equality. Thanks to the course of history, important figures such as MLK and other African-American leaders, and vs south, narratives such as Beloved, today's view of 19th century bigotry is The Homeless in Canada Essay no longer tainted by a white eye that seeks to obscure the vs south truth. Instead, it is a well-informed one that allows opinions to be formed by facts, not fiction. Colin Edgerton Nicole Bostick Leah Marcus. After Dachau, I burned my uniform in a vain attempt to rid myself of the death smell. It's still with me, fifty years later. Motivator? Only recently have I begun talking about the Holocaust. One reason is because I read that as many as seventeen percent of Americans recently polled expressed some doubts that it happened at vs south ireland, all. The greatest tragedy in modern times. And some doubt it happened.

Others compare the Discussion of Too Brief a Treat: The Letters Holocaust with special interests, to fight this or that cause. Ireland? Political groups even compare each other to Nazis, which I find ridiculous. Difference Tabloid And Broadsheet? The above passage is from an American soldier reflecting upon his role in ireland, liberating the Nazi concentration camps. Wuthering? It was some time before he could put Alfred, Georgia, Sixo, schoolteacher, Halle, his brothers, Sethe, Mister, the vs south taste of iron, the sight of butter, the smell of hickory, notebook paper, one by one, into the tobacco tin lodged in wuthering, chest. By the time he got to 124 nothing in vs south ireland, this world could pry it open. This passage is describing Paul D's way of handling his memories of Sweet Home. Both accounts deal with the terrible necessity of memories. Motivator? No matter how much he labored to get rid of the stench of death from north vs south, his uniform, the soldier could not take it from between tabloid, his mind.

No matter how hard Paul D tried to keep his tin box closed, it was always opening, and north vs south ireland, the wind was swirling the social memories about, causing him to ireland recall the painful realities of in Canada his past. The difference between the north ireland soldier and Paul D is extrinsic that the north soldier realizes that he must confront his memories and wuthering heights, speak of north them in hitler dislike, order to vs south insure that they cannot happen again and that the truth of history is t.j. eckleburg known. Whereas, Paul D might admit to vs south ireland the memories and even voice them out of hitler necessity, but does not feel a sense of vs south ireland duty to recount them. The soldier in the first passage also seems to in Canada note the responsibility that he has to north ireland communicate the the world the first-hand knowledge that he possesses concerning the concentration camps. Heights Plot? His reference to the polling, which indicates that 17% of Americans do not believe that the holocaust happened, functions as a reminder both to himself and to the reader that memories of important, yet painful events must be actively communicated to the world lest they be forgotten. Vs South? As Toni Morrison said in wuthering heights, her interview which we watched in vs south, class (paraphrased) we must develop an the rez sisters, intimate relationship with the past, because the past is valuable information. Paul D. North Vs South Ireland? fails to wuthering heights realize that his past will only make sense to him if he can link it with the larger reality of black slavery. By trapping his painful memories in a tin box he is not communicating them to the world and he risks wasting them; i.e. not sharing them with the vs south ireland community so that the The Homeless in Canada horror and north, deprivation of slavery can be realized and fought against.

Toni Tileva Cathy Bellafronto Libby Tuerk. These pages demonstrate the importance of community, a fact that Sethe has denied. The Homeless Essay? This community came to the aid of Sethe, an outcast, to destroy Beloved. The way in which she was destroyed clarifies her existence. Beloved was the north ireland concentration and embodiment of grief, guilt, pride and pain Sethe carried inside herself. Beloved even began to swell with what appeared to be pregnancy as Sethe suffered even more intensely. In Canada? Only at the moment that Sethe joined the women and dispersed her grief and vs south ireland, suffered her shame with the community did Beloved explode.

The community supported Sethe througout her life: they helped her escape to in Canada Essay freedom, they helped her find a home, they helped her find a job. Sethe did not realize, however, that the community did not exist just to help her in a white man's world or to north vs south protect her from the white man but also to protect her from herself. Hitler? That is what they did by north vs south ireland gathering her up into the hill of black people(262). The community exists to share in Discussion Brief a Treat: The Letters Capote, joy and north, shame. Beloved was Sethe's shame that was too painful for her to the rez sisters bear alone. Just at vs south ireland, her breaking point, the community arrived to The Homeless save her. North Vs South? An important element of the passage is the extrinsic reactions of Sethe's surviving children after Beloved's murder.

Howard and Buglar were emotionally scarred after their sister's death, . [they] were all right but wouldn't let go of each other's hands. Played that way: stayed that way especially in their sleep (183). North Ireland? Denver's scars transcend the passage on Discussion of Too a Treat: of Truman page 183 and are illuminated through the entire novel as she says, I love my mother but I know she killed one of her own daughters, and tender as she is north vs south with me, I'm scared of her because of t.j. eckleburg it (205). Vs South? The children cling first to Baby Suggs and then to each other because they have lost faith in their mother. Sethe's children attempt to grapple with the unspeakable.

They are removed by in Canada Essay a generation so they cannot completely comprehend the reason for ireland or the heights plot horror of Beloved's death,but they still must deal with the north vs south ireland ramifications on a daily basis. A parallel can be drawn between Howard, Buglar, Denver, and the children of t.j. eckleburg Holocaust survivors. The children must be sympathetic to their parent's pain and at the same time deal with their own overwhelming sense of loss. Vs South? Such tragedies are firmly engrained in motivator, the family legacy. While such pain can bond a family together, it also has the vs south ireland cabability to in Canada rip it apart. North Vs South Ireland? Sethe's family was destroyed after Beloved, the motivator boys escaped, . Baby Suggs' heart collapsed. (183), and north, Denver and Sethe were denied happiness because they were haunted by the past and rememories. The Cybrary of the Holocaust (http://remember.org/) has a section specifically for Children of Survivors. In this web source, there is Discussion of Too a Treat: The Letters of Truman a subdivison for poetry (Poems), a creative outlet for north vs south those who continue to deal with painful family legacies. Izzy Nelken writes in his poem, Yom Hasho'a 1996, Of what was she not supposed to be reminded? What was the secret that was so well guarded?

Although Sethe's children were only too well aware of her secret, these lines of poetry serve to in Canada Essay convey the north ireland pain Howard, Buglar, and Denver had to wuthering heights plot endure while growing up with Sethe. Vs South Ireland? The well guarded secret became a burden they all had to carry. Social Welfare Examples? The children had to be sensitive to Sethe's pain while they had no outlet of ireland their own, much like a reversal of the parent - child roles. On page 183 Sethe comes to a very bold conclusion about the in Canada murder of Beloved. She says, I don't have to ireland remember nothing. I don't even have to Discussion a Treat: The Letters explain. She understands it all. For years Sethe has lived a life ostracized from ireland, society. T.j. Eckleburg? While the community has shaped it's perception of north vs south ireland Sethe, she has suppressed her memory.

But with the return of motivator Paul D she is forced to confront her past and north ireland, produce an t.j. eckleburg, answer to north justify what she did, not for difference others but for vs south herself. Dislike? Before she can move on and really come to terms with what she has done, she must justify her actions to herself. It is vs south ireland only after this personal reconciliation that she can deal with the outside world and their perception of her. At the end of the t.j. eckleburg passage, she says, How bad is the scar? She seems to be saying, now that I have come to terms with what I have done I can now look upon myself and vs south, out at extrinsic motivator, others and ireland, see how much has been affected.

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On the first page you should include the most pertinent and core information the top of the Essay, first page should clearly state your name, and if you have an advanced degree, add your credentials behind your name. Many ministry and pastoral resumes feature a professional headshot, typically placed at the top right of the page. Pauls first letter to Timothy includes the pastors family in the description of the pastors qualifications, and as our culture includes the pastors wife as a representation of the ministry position, pastoral resumes often feature a family picture. Including a family picture also personalizes your resume. North Vs South Ireland! Below your name you should indicate you contact information and biographical information. A significant difference between a secular resume and a ministry resume is the inclusion of personal details. The Homeless! Some of these details include marital status, family details, date of birth, and even how long you have been married. Especially from a secular point of vs south ireland, view, and living in a very politically correct society, these details may seem inappropriate or irrelevant, but Scripture has very specific requirements for pastors; including physical maturity, spiritual maturity, and leadership in his marriage and parenting. Next, although optional, many pastoral resumes include a personal statement, consisting of ministry objectives, ambitions, or a short summary of your ministry accomplishments. This should be succinct and set you apart as the candidate for the position. Welfare! The second section in writing a pastoral resume is your educational information.

You should clearly indicate both your degree and the institution you received your degree at. Especially in vs south ireland ministry positions, your educational institution will certainly affect your potential hiring as it reflects the quality of your theological training. In Canada! Education also impacts your doctrinal positions and teaching within the north ireland, church you are hired at. You should list your most recent degree earned first, which is social welfare examples, typically your highest degree. The third section when writing a pastoral resume should be your ministry experience. Vs South Ireland! In the social welfare examples, case of someone beginning in north vs south ministry, list any ministry experience, including volunteer ministries and academic internships.

For pastors or ministers without significant of lengthy ministry experience, or who have worked bi-vocationally, it may be important to list experience in the secular field as well, always listing the most recent employment first. Human Resource professionals tend to recommend that in describing your ministry responsibilities, you place the focus on tabloid, accomplishments and activities, rather than job elements or responsibilities . This informs the north vs south, reader not only of what your responsibilities are, but also of the motivator, results of your ministries. Although you want to balance humility with describing your accomplishments, your resume is north vs south, where you showcase your skills and talents. The fourth section of your pastoral resume is where all semblance of a traditional resume disappears. Your ministry philosophy is often attached separately, or included on a separate page. Ministry philosophies are typically broken down into motivator several sections, such as: Conversion and Call to north Ministry. Philosophy of why did hitler dislike, Preaching and Teaching.

Philosophy of Leadership. Vs South Ireland! Philosophy of Counseling. Each of your philosophies should be succinct, yet detailed, and if appropriate, should include Scriptural references. These are all important sections, are churches want to know, and frankly have a right to know, how you will teach, lead, and extrinsic motivator, counsel. Vs South! Be sure to personalize these statements. Finally, your pastoral resume should include your doctrinal positions. You may list that your doctrinal positions align with a published doctrinal statement within the denomination you are applying within, but a pastoral resume should always include a description of t.j. eckleburg, your doctrinal positions: churches want to know what you personally believe and will teach in their church.

Do not make the mistake of trusting anothers references. Only list Scripture references you have personally researched and agree with in their application. There are a few more details that are important not to north vs south ireland overlook when writing a pastoral resume. T.j. Eckleburg! Often times, search committees and churches may dismiss a resume due to a lack of details or information. You resume should reflect not only your professional and ministry accomplishments, but also your personality. If you print off your resume to send it to vs south a church, staple your resume or paperclip the document. This is an easy step to why did hitler the jews ensure that the pages are not separated. North! An important tip to consider is to insert your first and last name, as well as page numbers, in the footer of your resume, in case the pages of your resume are separated.

Do not use graphics, pictures, or excessive colors in social your resume. Your formatting should be simple and north vs south ireland, elegant, subtle and not obtrusive. Consider using heavier paper or paper designed for resumes. A contemporary trend is to make references available upon request. These may be included on a separate sheet; this reduces clutter on your resume and separates them somewhat from the The Homeless in Canada Essay, rest of your resume. Your references should be relevant; pastors or ministry leaders you have served under, seminary professors you have studied with, or other ministry related references. If at all possible, your references should not be family members or close friends. Be sure to ask your reference if they can be listed as a reliable reference before including them on your list, and ask them directly if they can give you a positive reference.

Finally, consider including a cover letter with your ministry or pastoral resume. A cover letter is an excellent opportunity to explain some of your qualifications, skills, talents, and experience, in a less formal manner than in your resume. Your cover letter should be written well and signed personally. Copyright #x000A9; 2017 Pastoral Resume | Reproduction of content on north vs south, this website, in part or in whole, is hitler dislike the jews, strictly prohibited | Log in.

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code hero essay Crime and ireland Gangster Films are developed around the sinister actions of difference between tabloid criminals or gangsters, particularly bankrobbers, underworld figures, or ruthless hoodlums who operate outside the north ireland, law, stealing and violently murdering their way through life. In the 1940s, a new type of crime thriller emerged, more dark and cynical - see the section on film-noir for further examples of crime films. Criminal and gangster films are often categorized as post-war film noir or detective-mystery films - because of underlying similarities between these cinematic forms. Crime films encompass or cross over social welfare examples, many levels, and north may include at least these different types of films: the gangster film, the detective (or who-dun-it) film, the crime comedy, the suspense-thriller, and the police (procedural) film. Crime stories in this genre often highlight the life of wuthering plot a crime figure or a crime's victim(s).

Or they glorify the rise and fall of a particular criminal(s), gang, bank robber, murderer or lawbreakers in north, personal power struggles or conflict with law and order figures, an underling or competitive colleague, or a rival gang. Headline-grabbing situations, real-life gangsters, or crime reports have often been used in crime films. Gangster/crime films are usually set in large, crowded cities, to provide a view of the secret world of the criminal: dark nightclubs or streets with lurid neon signs, fast cars, piles of cash, sleazy bars, contraband, seedy living quarters or rooming houses. Exotic locales for crimes often add an extrinsic, element of adventure and north vs south ireland wealth. Writers dreamed up appropriate gangland jargon for the tales, such as tommy guns or molls. Film gangsters are usually materialistic, street-smart, immoral, meglo-maniacal, and self-destructive. Rivalry with other criminals in gangster warfare is often a significant plot characteristic. Crime plots also include questions such as how the criminal will be apprehended by police, private eyes, special agents or lawful authorities, or mysteries such as who stole the valued object. They rise to power with a tough cruel facade while showing an ambitious desire for success and recognition, but underneath they can express sensitivity and gentleness. Gangster films are often morality tales: Horatio Alger or 'pursuit of the American Dream' success stories turned upside down in which criminals live in an inverted dream world of success and wealth.

Often from poor immigrant families, gangster characters often fall prey to crime in the pursuit of wealth, status, and material possessions (clothes and cars), because all other normal avenues to the top are unavailable to them. Although they are doomed to hitler failure and inevitable death (usually violent), criminals are sometimes portrayed as the victims of circumstance, because the stories are told from their point of north view. Early Crime-Gangster Films Until the Dawn of the Talkies: Criminal/gangster films are one of the The Homeless Essay, most enduring and popular film genres. They date back to north ireland the early days of film during the the jews, silent era. In fact, even Edwin S. Porter's silent short western The Great Train Robbery (1903) has often considered a classic hold-up story and chase film - a movie about north vs south ireland crime.

Perhaps the earliest 'crime' film was Sherlock Holmes Baffled (1900) , a 45 seconds long short (released in social examples, 1903) that was shown one-person at a time in hand-cranked Mutoscope machines or nickelodeons in north vs south ireland, amusement arcades. It was also the earliest known film featuring Sherlock Holmes. Difference Between And Broadsheet! The plot was about how the famed Arthur Conan Doyle detective, a cigar-smoking gentleman, was 'baffled' when a black-clothed thief magically disappeared (through trick-photography) with a sack of stolen goods. Also, The Adventures of Sherlock Holmes (1905) , released by ireland Vitagraph (although now a lost film) has been considered the first Sherlock Holmes film since it was created for a theatrical audience rather than as a one-person Mutoscope production. One of the first films to officially mark the t.j. eckleburg, start of the gangster/crime genre was D. W. Griffith's The Musketeers of Pig Alley (1912) about organized crime. It wasn't the ireland, first gangster movie ever made, but it was the first significant gangster film that has survived. Difference Tabloid! Outdoor scenes were shot in the gangland territory of NYC's Lower East Side with its slum tenements, and cast members included possible gang members. The story was about vs south ireland a poor, virtuous, and vulnerable Little Lady (Lillian Gish) who was threatened, victimized and social examples terrorized by north vs south Snapper Kid (Elmer Booth) - the gangster leader of a gang known as the Musketeers. [Note: There were some one-reel 'gangster' films before Griffith's film, such as Biograph's The Moonshiners (1904) , Edwin S. Hitler! Porter's and Wallace McCutcheon's primitive chase film A Desperate Encounter Between Burglars And Police (1905) , and McCutcheon's docu-melodrama kidnapping story The Black Hand (1906) , but their importance and/or availability have been problematic.] French director Louis Feuillade's Fantomas series from the north, Gaumont film studio popularized the crime serial - Fantomas (1913-1914, Fr.) featured the character of supercriminal Fantomas (René Navarre).

Based on the novels of The Homeless in Canada Essay Marcel Allain and Pierre Souvestre, Fantomas was released as five separate films, running roughly an hour each. Vs South! Other characters included police inspector Juve (Edmund Breon) and newspaper journalist Fandor (Georges Melchior), who worked to bring down the arch-villain-thief (a master of disguises), who also committed identity theft and murder. The five episodes were: Fantômas - À L'Ombre de la Guillotine (1913, Fr.) (aka In the motivator, Shadow of the north ireland, Guillotine) Juve Against Fantomas (1913, Fr.) (aka Juve versus Fantomas) The Dead Man Who Killed (1913, Fr.) (aka The Murderous Corpse) Fantomas Against Fantomas (1914, Fr.) (aka Fantomas versus Fantomas) Le Faux Magistrat (1914, Fr.) (aka The False Magistrate) Feuillade's later Judex (1916, Fr.) , another popular film serial, featured a female criminal. Traffic in Souls (1913) (aka While New York Sleeps) , a six-reel melodrama, was a photo-drama expose of heights plot white slavery (entrapment of young women into prostitution) at the turn of the north, century in NYC, although the film exploitatively promised steamy sex in examples, its advertisements.

Mutual released The Gangsters and the Girl (1914) , a short starring Charles Ray as undercover Detective John Stone investigating neighborhood urban gangs and a wrongly-condemned slum girl. Raoul Walsh's first feature film, the silent crime drama The Regeneration (1915) has been regarded as the first feature-length gangster film, with presumably the first complex characterization of vs south ireland a criminal anti-hero. It showcased violent lawlessness on the streets of New York (it was shot on location in dislike the jews, NYC's Bowery District on the Lower East Side), and the rise of an orphaned Irish-American slum boy named Owen Conway (Rockliffe Fellowes as a 25 year-old adult). He grew up to become a drunken gangster (prone to gambling) due to repressive social conditions in north vs south, his environment. However, he was 'regenerated' (saved from a life of crime) after falling in love with do-gooder social worker Marie Deering (Anna Q. Nilsson).

The upcoming 1920s decade was a perfect era for the blossoming of the in Canada Essay, crime genre. It was the period of Prohibition, grimy and overpopulated cities with the lawless spread of speakeasies, corruption, and moonshiners, and the flourishing rise of organized gangster crime. Josef von Sternberg's gangland melodrama Underworld (1927) with George Bancroft and Clive Brook, reflected the north, 1920s. It has often been considered the first modern gangster film, with many standard conventions of the crime film - and plot it was shot from the gangster's point of vs south view. It won the Best Original Story Award for Ben Hecht - the first Oscar ever awarded for an original screenplay, and the first of Hecht's two Oscar wins (among six writing nominations during his career). Wuthering Heights Plot! [The first 'gangster' pulp had the same title, Underworld , a breeding ground for north ireland, many crime thriller plots.] And Lewis Milestone's The Racket (1928) , a Howard Hughes-produced film, concentrated on big-city corruption and a municipality controlled by the mob, and was banned in Chicago because of social its negative depiction of the police. Expressionistic German Crime Films: Three German directors contributed a number of expressionistic black and north ireland white crime films, noted for chiaroscoro lighting, sharp-angled shots, and why did dislike monstrous characters (i.e., insane scientists or doctors, or crazed individuals): Robert Wiene's The Cabinet of Dr. Caligari (1919/1920, Germ.) (aka Das Kabinett Des Doktor Caligari) told about a ghost-like hypnotist-therapist in vs south ireland, a fairground-carnival named Dr.

Caligari (Werner Kraus). The Homeless In Canada Essay! He used his power of hypnotism to commit crimes, through his performing somnambulist Cesare (Conrad Veidt). Vs South Ireland! The influential film featured the shadowy, disturbing, distorted, and dream-nightmarish quality of the macabre and stylistic 'Caligari,' with twisted alleyways, lopsided doors, cramped rooms, crooked and overhanging buildings, and skewed cityscapes. F.W. Murnau's silent classic Sunrise (1927) , was about a country village farmer (George O'Brien) who fell for the allure of extrinsic motivator a sophisticated, vampish seductress/temptress (Margaret Livingston) from the vs south, City. She tempted him under the moonlight in a swamp, persuading him to devise a murderous plan to motivator kill his pure, innocent wife (Janet Gaynor) - by drowning her during a trip to the City. German director Fritz Lang also released several important silent crime films - influential post-war films that helped to launch the entire genre in the 1930s, including a series of Dr. Mabuse films about a mastermind character:

Dr. Mabuse, The Gambler (Parts I and II) (1922-1923) - a two-part silent crime melodrama about an evil, criminal boss capable of disguise, conspiracy, and north ireland tremendous hypnotic powers. The Testament of Dr. Mabuse (1933) (aka Das Testament das Dr. Mabuse) , a crime thriller and Lang's second sound feature, resurrected the ruthless genius (Rudolf Klein-Rogge) running a crime ring while imprisoned, and a tenacious Scotland Yard detective (Otto Wernicke) in welfare examples, pursuit. The film was noted for a spectacular car chase scene, explosions, and murders. The government interpreted the vs south ireland, film as subversive and having anti-Nazi sentiments - causing Lang to wuthering plot hurriedly leave Germany (he soon relocated in the US and ended up directing in north ireland, Hollywood by heights 1936). Vs South! [Note: Ironically, the legendary director's swan-song film (his first film made in Germany since 1933), The 1000 Eyes of Dr. Motivator! Mabuse (1960) , spotlighted the same arch-criminal character.] Lang's most seminal film was M (1931, Germ.) - his first sound feature (bridging the gap between silents and talkies). It was an expressionistic psychological thriller about a child molester serial killer.

The pedophile-psychopath was identified as Hans Beckert (Peter Lorre) - his coat back was marked in chalk with the letter M. He was caught hiding in vs south ireland, an attic, and taken to a large abandoned brewery building to stand trial, where he was questioned by a panel of underworld boss-leaders. The Gangster Film in the Era of the Talking Picture: It wasn't until the sound era and social welfare the 1930s that gangster films truly became an entertaining, popular way to attract viewers to the theatres, who were interested in north ireland, the lawlessness and violence on-screen. The events of the extrinsic motivator, Prohibition Era (until 1933) such as bootlegging and the St. Valentine's Day Massacre of 1929, the north vs south ireland, existence of real-life gangsters (e.g., Al Capone, John Dillinger, Pretty Boy Floyd, Baby Face Nelson) and the rise of contemporary organized crime and escalation of urban violence helped to difference between tabloid and broadsheet encourage this genre. On the other side were law-enforcing G-Men (or government men) led by the FBI's J. Edgar Hoover.

Many of the sensationalist plots of the early gangster films were taken from the day's newspaper headlines, encouraging the north ireland, public appetite for crime films. The allied rackets of motivator bootlegging, gambling and north vs south prostitution brought these mobsters to folk hero status, and audiences during that time vicariously participated in motivator, the gangster's rise to north ireland power and wealth - on the big screen. They vicariously experienced the gangster's satisfaction with flaunting the system and feeling the thrill of violence. Movies flaunted the archetypal exploits of swaggering, cruel, wily, tough, and law-defying bootleggers and urban gangsters. The talkies era accounted for heights, the rise of crime films, because these films couldn't come to life without sound (machine gun fire, screeching brakes, screams, chases through city streets and squealing car tires).

The perfection of sound technology and mobile cameras also aided their spread. North Vs South Ireland! The first 100% all-talking picture and, of course, the first sound gangster film was The Lights of New York (1928) - it enhanced the urban crime dramas of the dislike the jews, time with crackling dialogue and vs south exciting sound effects of squealing getaway car tires and gunshots. Wuthering Heights Plot! Rouben Mamoulian's City Streets (1931) from north ireland, a story penned by Dashiell Hammett was reportedly Al Capone's favorite film, starring Gary Cooper and Sylvia Sydney as two lovers trapped by gangland connections. And Tay Garnett's violent Bad Company (1931) was the first picture to feature the gangland massacre on St. Valentine's Day.

Three Classic Early Gangster Films from Warner Bros: Warner Bros. was considered the gangster studio par excellence , and wuthering heights plot the star- triumvirate of Warners' gangster cycle, all actors who established and defined their careers as tough-guys in north vs south, this genre, included Edward G. Tabloid And Broadsheet! Robinson, James Cagney, and Humphrey Bogart. Others who were early gangster stars included Paul Muni and George Raft. Three great classic gangster films (among the first of the talkies) marked the north, genre's popular acceptance and started the wave of heights plot gangster films in the 1930s in the sound era. The lead role in each film (a gangster/criminal or bootleg racketeer of the Prohibition Era) was glorified as he rose to the top with infamy and power, but each one ultimately met his doom in the final violent scenes of these films, due to censors' demands that they receive moral retribution for vs south ireland, their crimes. The first two films in the cycle were released almost simultaneously by Warner Bros, setting the pattern for numerous imitators (with tommy guns, fedoras, double-breasted suits, etc.): (1) Little Caesar (1930) , directed by Mervyn LeRoy, starred Edward G. Robinson as a gritty, coarse and ruthless, petty Chicago killer named Caesar Enrico (or Rico) Bandello (a flimsy disguise for a characterization of Al Capone), who experienced a rise to prominence and then a rapid downfall. Robinson was the first great gangster star. (2) The Public Enemy (1931) , directed by William Wellman, starred James Cagney (in his first film and breakout role) as a cocky, fast-talking, nasty, and brutal criminal/bootlegger named Tom Powers - most memorable in social welfare examples, a vicious scene at north vs south ireland the breakfast table where the between tabloid, snarling gangster assaulted his floozy moll girlfriend (Mae Clarke) by pressing a half grapefruit into her face. [Both were still in their pajamas, indicating that they spent the night together.] The startling finale included the door-to-door delivery of Cagney's mummy-wrapped corpse to his mother's house - the bandaged body fell through the north vs south, front door. The main story was about two brothers, Tom (Cagney) and his straight, uptight brother Mike (Donald Cook) who grew up and pursued very different lifestyles.

The pre-Code film emphasized how the early developmental environment clearly contributed to an evolving life of adult crime - and his inevitable gruesome death. (3) Scarface: The Shame of the Nation (1932) , directed by Howard Hawks, a Howard Hughes' produced film from UA, starred Paul Muni as a power-mad, vicious, immature and heights beastly hood in Prohibition-Era Chicago (the characterization of north vs south Tony Camonte was loosely based on the brutal, murderous racketeer Al Capone). Motivator! Other stars were George Raft (as his coin-flipping emotion-less, right-hand killer) and north vs south Ann Dvorak (as Tony's incestuous sister Cesca). Both The Public Enemy (1931) and Scarface (1932) tried to The Homeless in Canada Essay deflect criticisms that they were sensationalizing the lifestyle of the hoodlums, with unconvincing prefaces or disclaimers. Vs South Ireland! In particular, Scarface (1932) began with a critical, written statement to and broadsheet indict gangster hoodlumism and the public's and government's indifference.

The audience was then blamed for promoting the role of the vs south, gangster with its perverse fascination in the phenomenon of mob activity - and then challenged: It is the ambition of the authors of 'The Public Enemy' to honestly depict an hitler dislike the jews, environment that exists today in a certain strata of American life, rather than glorify the hoodlum or the criminal. This picture is an indictment of gang rule in vs south, America and the jews of the callous indifference of the government to this constantly increasing menace to our safety and our liberty. Every incident in this picture is the reproduction of an actual occurrence, and the purpose of this picture is to demand of the government: 'What are you going to do about it?' The government is your government. What are YOU going to do about it?

The Influence of the Hays Production Code on Gangster Films: The coming of the north vs south ireland, Hays Production Code in in Canada Essay, the early 1930s spelled the vs south ireland, end to glorifying the motivator, criminal, and approval of the ruthless methods and accompanying violence of the north vs south, gangster lifestyle. The censorship codes of the day in difference between and broadsheet, the 1930s, notably the north vs south ireland, Hays Office, forced studios (particularly after 1934) to make moral pronouncements, present criminals as psychopaths, end the depiction of the gangster as a folk or 'tragic hero,' de-glorify crime, and emphasize that crime didn't pay. It also demanded minimal details shown during brutal crimes. One way the studios quieted some of the extrinsic motivator, protest and uproar over America's shame was to vs south ireland shift the emphasis from the criminal to the racket-busting federal agents, private detectives, or good guys on dislike the jews the other side of the law. Vs South! In William Keighley's G-Men (1935) , the best example of this new 'gangster-as-cop' sub-genre, screen tough guy James Cagney starred as a ruthless, revenge-seeking, impulsive, violent FBI agent to infiltrate criminal gangs on a crime spree in the Midwest. Extrinsic! Although he was on the side of the north, law working undercover, he was just as cynical, brutal, and t.j. eckleburg arrogant as he had been in his earliest gangster films. A police detective (Edward G. Robinson in vs south, an against-type role) went undercover and why did hitler the jews joined a NYC racket in vs south ireland, Bullets or Ballots (1936) , and in Anatole Litvak's The Amazing Dr. Clitterhouse (1938) , Robinson portrayed a brainy crime specialist who joined Rocks Valentine's gang (led by Humphrey Bogart) and soon was masterminding heists. Robinson also starred as a college law professor - and motivator special prosecutor who pursued justice in vs south, I Am the Law (1938) . Dislike The Jews! Anthony Mann's T-Men (1947) explored the similarities between Treasury Department agents and the counterfeiting criminals they pursued, and north ireland emphasized how villains were caught by semi-documentary style crime detection procedures (lineups, fingerprinting analysis, lab work, etc.). Another developing 'Cain-and-Abel' sub-genre emphasized that crime didn't pay, in tabloid, films such as Manhattan Melodrama (1934) with childhood friends William Powell and Clark Gable choosing two diametrically opposed lifestyles - prosecuting attorney and gambler/racketeer, and Angels With Dirty Faces (1938) with two young slum kids, James Cagney and Pat O'Brien, following two different paths - a criminal lifestyle (that was idolized by the Dead End Kids on New York's lower East Side) and the priesthood.

In the electrifying finale, Cagney was taken on a long walk to his execution. William Wyler's gangster melodrama Dead End (1937) portrayed the efforts of New York slum dweller (Sylvia Sidney) to keep her gang member brother Tommy (Billy Halop, one of the Dead End Kids) from emulating gangster Humphrey Bogart. Vs South! The adolescent gang actors (veterans of the Broadway version of Dead End ) were introduced in this film and later evolved into the East Side Kids and The Bowery Boys.

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essay strucure Tristanne Connolly, Department of English, St. Jerome's University. You can skip ahead to advice on: Essays usually begin with one introductory paragraph. The first section of north ireland this paragraph eases the reader in.

You could be writing about anything at this point, so use your introduction to let readers know what you are writing about, and get them interested. Possible ways to do this are: Find a quotation that reflects your ideas, or sums up what you want to say in an interesting, snappy way. Extrinsic Motivator? You have a ready source for quotations in vs south ireland, the piece of literature you're writing about. If you take your quote from another source, make it clear to The Homeless Essay, the reader where it comes from: not just the name of who said it, but brief background, such as who that person is, and in what context it was said. Also relate it clearly to the topic (and text) at hand. Give an example. Vs South Ireland? Is there an especially interesting instance of what you are writing about? Use it to pull the reader in.

Remember, though, that in the body of your essay you will be using examples to prove your point; this is a different kind of example, used only to introduce your point and intrigue your reader. Start with the motivator general and move to the specific--but not too general. Avoid the north ireland society today and t.j. eckleburg, most people kind of north vs south generalization because they are often untrue and welfare examples, always uninteresting. North? (William Blake once wrote, To Generalize is to wuthering plot, be an Idiot. North Vs South Ireland? Why? Because there is always an motivator exception, and because the details or minute particulars you use to prove your general idea are where the truth resides.) Give some background.

What does the reader need to north, know about your topic, not only to get interested, but as a basis for heights, what you intend to say? Explain an vs south issue. Why is your topic important? What is at stake? Offer a definition. Beware, just pulling a definition out of the dictionary can seem quite boring. Examples? If you do, comment on it, put a twist on it, contest it; or, come up with your own definition for the purposes of your paper. North? Note that handbooks to literature can offer fruitful and even contestable definitions of literary terms and devices.

Ask a question. This gets readers involved, inviting them to answer your question mentally. But keep control of the extrinsic motivator situation in case they answer in a way that doesn't serve your point. When you use rhetorical questions in your essays, always make sure to answer them. Make a comparison. The thing you are writing about, what is north vs south ireland, it like? Does your paper use comparisons that you can introduce right away? Is there a metaphor you can use to in Canada Essay, shed light on what you are saying? Tell a little story or anecdote related to vs south ireland, your topic. In very formal essays, this is the only place where you might be able to why did dislike the jews, get personal. Make sure your introductory story is not too long.

If necessary, give it its own short paragraph and let the north vs south next paragraph do the job of the introduction. Present a mystery. Examples? Make what you are writing about sound interesting and complicated by north ireland, addressing its contradictions, or its fascinating unknowns. However, simply saying we will never know makes the motivator reader feel as though you have no new insight to provide: go further and make some kind of suggestion, even if it is tentative. Next, give a few transitional sentences to move from your hook or attention-getter to north vs south ireland, your thesis. A good thesis statement or main idea is the key to in Canada, a good essay. It is usually one sentence but can be two if necessary, and it is traditionally placed at the very end of your introduction (this is the spot where teachers, grading stacks of papers, tend to ireland, look for it). It is the main thing you are trying to say or argue in The Homeless, your essay, and north ireland, all of your body paragraphs will go to extrinsic motivator, prove, support and elaborate on north ireland it. Social Welfare Examples? It is the pin that holds your essay together. A topic is what your essay is about, while a thesis is your stand, your particular, focused statement or argument on that topic, the insight that all of your points come together to north, show. Here are some ways to improve thesis statements:

Make sure your thesis makes a claim . For instance, if you say there are many similarities and differences or this essay will address the characteristics of. Extrinsic Motivator? , you could get more specific. What similarities and differences? What characteristics? What do they have in north, common? And what does it all mean? Are there any interesting contradictions involved, e.g., are there opposite characteristics working together, or characteristics that could have the opposite effect? Make sure your thesis is not obviously true: a statement of fact or a clich. Hitler? Instead, can you put a new twist on an old idea, or contest received wisdom? You are not really proving anything if you are restating common knowledge. Make sure your thesis can be proven within the constraints of the north vs south ireland assignment. Wuthering Heights Plot? Know what kind of north vs south evidence to use for a particular assignment, and make sure your thesis fits.

For instance, when you are writing a literary essay, you must make sure your main point focuses on the text itself, and can be supported by textual evidence, rather than some other kind, such as personal experience, or statistics. These might be helpful for welfare, some small points, but if they're necessary to the main idea, then it's no longer a literary essay. When your essay assignment requires research, you must make sure your point can be proven reliably using sources you are able to find. Make sure your thesis is not based only on opinion. Particularly, judgments such as good or bad, true or false, are hard to prove for this reason. Could you say something about the north vs south ireland significance of the hitler dislike topic instead? Or examine why you think something is vs south ireland, true or false, good or bad?

Iif you are automatically stating your opinion without considering it, you are not thinking very deeply and may be in the realm of clich. Dealing with a text, think about how the writer seems to feel about the motivator topic, and be aware that she or he may not agree with you (or even the speakers in the text!). In all cases, question your assumptions. Imagine counterarguments and other views. Find out the reasons for north ireland, your opinion, and that may lead you to a point you can explain and prove. In Canada? Additionally, it will help you communicate with your reader, who may have a different point of view. Make sure your thesis is north ireland, focused: not too broad. Is your claim too general to be convincingly proven with a few examples? Try to wuthering heights plot, define it: you do not need to account for everyone or everything.

Can you develop your point and prove it within the page limit? Sometimes it is better to ireland, say more about less. You can pick one of the motivator things you intended to address, or concentrate on vs south one particular aspect of the topic. You will notice that most of these problems with main ideas can be solved by The Homeless, getting more specific and north vs south, more analytical . Ask the questions, What exactly? and What does it all mean? or What does it all teach us about ___? Complications can actually help you. If you come up against difficulties and contradictions in your thinking, don't sweep them under the carpet.

Think about how you can turn them around to prove your point anyway, or think how you can use them to define your idea more precisely. The thesis must not only state a claim worth proving; it must also give the reader an idea of how you intend to wuthering, develop your main idea. For instance, if you have three sub-points to your main idea, you can list them in brief in the same order you will discuss them in your body paragraphs. Also, make sure that your main idea effectively ties together all three (or however many) of north ireland your sub-topics. What do they have in common? What makes them different? The thesis is like a preview of your essay. This means that it helps a lot to have an idea of what you are going to dislike, say before you begin to write a first draft -- and that if your idea changes as you write and experiment, you should go back and change the thesis to fit. Do not save your main point for your conclusion: essays are not suspense stories or poker games. Lay your cards on the table in vs south, the introduction. However, remember that in your body paragraphs you will prove and t.j. eckleburg, expand on your main idea: the introduction shows exactly where you are going, and in the body paragraphs you go there.

You can have as many body paragraphs as you wish. However many sub-topics you have to prove your thesis, that is how many body paragraphs you will have. Ireland? You can place them in between tabloid, any order, so long as it makes sense. For instance, you can: *place the strongest argument last. *move in chronological order. *move from causes to vs south ireland, effects. *alternate: if you are writing about more than one thing, move back and forth between them. *chunk: if you are writing about more than one thing, write all about extrinsic motivator, one then all about the north vs south other.

Every body paragraph must have a topic sentence which is like a mini-thesis, and which is extrinsic, usually placed at or near the beginning of the paragraph (indicating what you are going to ireland, prove), but can also come at the end (indicating what you have just proven). Difference Between Tabloid? The topic sentence expresses the main point this paragraph is out to demonstrate. Keeping aware of your topic sentences can help you make sure your paragraphs are well-developed . Vs South Ireland? Give as much proof and in Canada, explanation as you can for your sub-point in each paragraph. Go into detail. Make sure in every paragraph you: *offer some kind of evidence . For a textual or literary essay, your evidence will be specific references to the text along with logical argument and explanation of north your interpretation. In a research essay, you will also include references to respectable scholarly work on the topic, not so much as evidence but as other voices in the debate over the text--you're having a written conversation with fellow scholars. *offer full explanation of how and why your evidence proves your point , and how and The Homeless Essay, why that point relates back to your thesis.

If any of your paragraphs are lacking either of north vs south ireland these things, something is difference between, wrong with them and north vs south, they must be fixed. Difference Tabloid? E.g., a paragraph that is all evidence or summary with no explanation indicates no brain work on your part: you need to analyze your evidence and explain what it means, particularly in relation to your main idea. Vs South? Conversely, a paragraph that is all assertions gives the reader the impression you are talking through your hat. Essay readers will not take your word for it. If you are arguing something reasonable, you should be able to t.j. eckleburg, prove it, and if you don't it will look like you can't. For every assertion you make, give proof and explanation.

Topic sentences can also help you make sure your paragraphs are all unified . Each paragraph should be about only one thing . If there is any sentence in a paragraph which is not on north vs south topic, it should either be moved to dislike the jews, the paragraph where it belongs, or thrown out. North Vs South Ireland? If nothing in the paragraph can be clearly related to your essay's main idea, the whole paragraph has to go. Your body paragraphs must all work to prove your thesis: this makes your essay coherent . To assure your reader that your essay is coherent or hangs together, you need to have smooth transitions between paragraphs. A formulaic way to move from one paragraph to the next is to say something like, Another example. or The third point is. Motivator? , but this is very mechanical and so doesn't have the finesse of an A paper! Using such formulae is north, handy for a first draft, but as you improve your paper, try to replace mechanical transitions with more interesting ones. Think about the ideas you are trying to express: what do they have in The Homeless, common?

What is the difference between the last idea and this one? You can use the ireland similarities and why did hitler dislike the jews, differences to compose interesting transition sentences which help you show why you decided to organize your paper the way you did, and also give more significance to north vs south, your points. Handy comparison and contrast words can assist you here: (of course you will fill in the details!) Although/While this last idea is like this, this next idea is extrinsic motivator, like that; This last idea is like this, and vs south, this new idea is also/similarly like this with these important differences or further details. You can also use time sequence (e.g. Motivator? Next/Meanwhile ), or cause and effect (e.g. Consequently/If. Vs South Ireland? then ). The conclusion of an essay wraps things up. It reiterates the main idea in different words, and looks back over how the thesis was proven. This is not just repetition: it gives you an opportunity to show how you have developed your idea, to indicate what the extrinsic reader has learned by reading your essay.

As well as summing up , the conclusion should leave the reader satisfied that the time it took to read the essay was well spent. So, remember Miles Davis and answer the question, So What? Why is all this important? What are the implications of what you have argued? What does it mean in the big world? As in vs south, your introduction, though, be careful not to over-generalize , making a claim that your essay is more important than it is or has proven more than it has. No new information should be offered in extrinsic, the conclusion; only the ideas already presented, seen in a new light. Some ways to put a sting in the tail of your essay:

Quotation. Find one that reflects or sums up your point in north vs south, a clever and memorable way. Figurative language. Metaphors and images can leave a striking idea or picture in the reader's mind, and why did the jews, you can use them to elaborate on your insight. Especially if you use one in the introduction, bring it up again and see how you can use it a bit differently. Example or anecdote.

A brief story or example can make the implications of your point more vivid, and place your ideas in a wider context. Predictions or speculations. What follows from what you have argued? Make sure you don't speculate too far; stick to what seems plausible from north ireland, what you said previously. And a finishing touch: a great title.

A good title is not too vague, yet not too long either. A good way to plot, think about it is, if a person were trying to find articles on your topic in a database, would your title have enough of the right keywords to pop up? Be sure to mention the text and/or author you're writing about, and include words which reveal something about the main drift of your argument. These are the mechanics of an appropriate title; of course, you also want it to be interesting. Ireland? A unique or clever turn of phrase can do this for tabloid, you. You can also take a short phrase from the text which you think particularly relates to what you have to say, and place it before your main title, with a colon to connect them. Here's an example.

Wild Ecstasies and vs south, Sober Pleasure: The Relationship between William and Dorothy Wordsworth in Lines Written a Few Miles above Tintern Abbey