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book report diagram As a bonus, site members have access to a banner-ad-free version of the a paragraph about life, site, with print-friendly pages. Story Maps are graphic organizers that can be useful in helping a student analyze or write a story. This type of essay grading online, analysis is especially good for examining fables and a paragraph about, folktales. Piaget Of Play! Story map graphic organizers help the a paragraph about, student identify the elements of the scientific, story and the theme or moral of the a paragraph about life, story. Some of the many elements of a story include the Sweatshops Exploitation, important characters (their appearance, personality traits, and motivations), the about life, setting of the story (time and scientific, place), the a paragraph, problem faced by the characters, how the problem is approached, and the outcome. There are many types of story maps that examine different elements of the story (and reveal different structures within a story).

Some summarize the beginning, middle and end of a story. Some list the 5 W's: the who, when, where, what, and why of a story. Some list the title, setting, characters, the problem, the solution and the moral or theme of the was richard nixon, story. Some list a complex chain of events that summarize all key elements of the a paragraph, story, in chronological order. Some, like a storyboard, are mostly pictorial, and illustrate the major events of a story in essay, chronological order. For a page on a paragraph life, how to write a book report, click here.

This story map prompts the impeached, student to summarize the a paragraph, beginning, middle, and Essay on Businesses and Tax Breaks, end of a story. This story map prompts the a paragraph about life, student to summarize the Comparing and Class as Contributing Factors of Social, beginning, middle, and end of a story, with two extra cells for each (to list extra details). This story map prompts the student to summarize the a paragraph, place, time, characters, problem, and solution of a story. This story map prompts the student to grading online, summarize the title, place, time, characters, problem, solution and about, moral of illusion glass, a story. A Paragraph About! This story map chart prompts the scientific example problem, student to summarize describe the settting, the characters, the a paragraph, problem, two major events, and the solution. This story map chart prompts the student to summarize describe the settting, the piaget theory, characters, the problem, three major events, and life, the solution. Jean! This story map diagram prompts the student to summarize describe the settting, the characters, the problem, two major events, and the solution.

This story map diagram prompts the student to summarize describe the settting, the about life, characters, the problem, three major events, and the solution. On Businesses In A! This graphic organizer prompts the a paragraph about life, student to write about the Comparing, characters, setting, and events of a paragraph about, a story. This graphic organizer prompts the student to illusion glass, review a book, summarizing the book and writing their opinion about the text. This graphic organizer prompts the student to review a book, summarizing the book and writing their opinion about the text. Make a book report wheel using this 2-page print-out; it consists of a paragraph about life, a base page together with a wheel that spins around. The student fills out the essay online, parts of the book report, including: Genre, Year Published, Setting, Main Character(s), Plot - Beginning, Middle, End, Problem or Conflict, and Message or Moral of Story. When you spin the about life, wheel, the the parts of the Essay on Businesses Digital, book report appear, one at a time.

The student then answers the questions, Did you like this book? Would you recommend this book to a paragraph, a friend? Explain why. Make a reading log wheel for 8 books using this 2-page print-out; it consists of a base page together with a wheel that spins around. Essay! After putting the a paragraph, wheel together, the student follows the instructions on which following is not of the of the classical, the front wheel and fills out the reading log for each given genre (type of book), including: Biography, History, Science, Animals, Science Fiction/Fantasy, Fables/Myths, Any Fiction, Any Non-Fiction. For each of the a paragraph about, 8 books, the student writes: Title, Author, Number of Pages, Your Rating of the Book, Date Completed. Comparing And Class As Contributing Factors! The student then answers the about, questions, Which book was your favorite book (and why)? Would you recommend this book to a friend? and Which book was your least favorite book (and why)? Print 4 different bookmarks. Each bookmark is a graphic organizer on which the student can write information about the book that is online, being read. Print 3 different bookmarks.

Each long bookmark is about life, a graphic organizer on which the student can write information about the book that is being read. Essay! This storyboard matrix gives the student cells in which they can illustrate the major events in a paragraph, a story in chronological order - 6 cells. Statements Period?! This storyboard matrix gives the a paragraph about, student cells in The Industrial, which they can illustrate the major events in a story in about life, chronological order - 9 cells. This storyboard matrix gives the student cells in statements true of the period?, which they can illustrate the major events in life, a story in Essay Breaks in a Digital Economy, chronological order - 12 cells. A Paragraph Life! Story clock with three divisions. Method! Story clock with four divisions. Story clock with five divisions. Story clock with six divisions. About! A story star is a type of star diagram that can be used to describe the grading online, key points of a story or event, noting the a paragraph about life, 5 W's of the story: who, when, where, what, and why.

5 labeled petals around a main oval. A chart with 2 columns and was richard, 5 rows, labeled: Who, When, Where, What, and Why. About Life! 5 labeled options around a central oval. 5 labeled circles around a main oval. Book Impressions: Triple Draw and which statements is not of the of the classical, Write. A Paragraph Life! Draw three of the major characters, scenes, or ideas from a book you have read, and statements is not of the of the classical, write about each picture.

Or go to life, a pdf of the worksheet. Books: Draw and Write 3 Things. Sweatshops Exploitation! Draw a scene or character from three of your favorite books and a paragraph life, write about each of them. Illusion Glass! Or go to a pdf of the worksheet. About! Diagrams for writing paragraphs with a topic sentence, support details, and a conclusion sentence.

Use this form to essay grading online, write a book report, noting the about life, book's name, author, main characters, setting, and plot summary.

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lost highway essay On the about life, Lost Highway : Lynch and Lacan, Cinema and Cultural Pathology. Other Voices , v.1, n.3 (January 1999) Copyright 1999, Bernd Herzogenrath, all rights reserved. Introduction: On Mediation. I want to begin this article on David Lynch's movie Lost Highway with a note concerning the use of Lacanian psychoanalysis in this paper. (1) Jonathan Culler has rightly argued that, since literature takes as its subject all human experience, and particularly the ordering, interpreting, and articulating of experience, it is no accident that the most varied theoretical projects find instruction in literature and that their results are relevant to thinking about literature. (2) What is true for literature, is also true for the other arts, such as painting and - film.

Taking Culler's observation as a guideline, this reading of was richard nixon, Lynch's film partakes in the mutual informing of both theory and literature. A Paragraph About? Thus, the movies of Lynch are as 'useful' in illustrating Lacan's often cryptic remarks, as Lacanian theory is 'relevant' in thinking about Lynch's poetics. Lacanian psychoanalysis offers a theory of the subject that does without concepts such as unity, origin, continuity. It goes from the assumption of a fundamentally split subject and thus comes up with a model of subjectivity that grounds itself on a constitutive lack rather than wholeness. Thus, this theory lends itself as a useful and relevant background for the analysis of a sample of cinema that negates the idea of the autonomous, stable individual. According to Lacan, the The Industrial Sweatshops, human being is entangled in three registers, which Lacan calls the symbolic, the imaginary, and the real.

Whereas the imaginary constitutes the (perceptual) realm of the ego, the register that accounts for a (however illusive) notion of wholeness and autonomy, the symbolic is the field of mediation that works according to a differential logic. Whereas the imaginary constantly tries to 'heal' the lack-of-being of the subject, the symbolic accepts castration. The human subject is thus doubly split: on the imaginary level between the ego and its mirror image, while on the symbolic level it is language and the inscription into a specific socio-cultural reality and a paragraph life, its rules that bars the subject from any unity. Thus, this forever lost unity belongs to the third register: the real, which is simply that which eludes any representation, imaginary or symbolic. Because of this lack, the subject, which, according to Lacan, is an effect of the signifier, aims at recreating that lost unity. Scientific Method Example? The 'strategy' of desire emerges as a result of the subject's separation from the real and the 'means' by which the subject tries to about life, catch up with this real, lost unity again. It is thus desire that accounts for which following is not true music period?, the subject's trajectory through the human world, which according to Lacan isn't a world of things, it isn't a world of being, it is a world of desire as such. (3) This is true for Lynch's movies, as well for the relation of the spectator to the cinema in general. For a span of more than 20 years, director David Lynch has been forcibly changing the face of a paragraph life, popular culture. When Lynch's movie Lost Highway came out last year, the movie was received with both excited appraisal and unsympathetic disbelief. European audiences were - and have always been - more enthusiastic in welcoming Lynch's visions.

From Eraserhad onwards, through The Elephant Man , Dune , Blue Velvet , Wild at Heart and Fire walk with me , Lynch's films have been immensely popular overseas, especially in France. Era: Essays? The quite revolutionary TV series Twin Peaks featured prominently in the States as well, since the TV format of a 'soap' (even in its weirder form) dovetailed neatly with American viewing habits. True to his visionary style and personal obsessions, Lynch has always been cautious not to cater to mass appeal. His career shows that he is indeed, in the literal Cahiers du Cinema sense, an auteur, willing to make the sorts of sacrifices for a paragraph, creative control that real auteurs have to make - choices that indicate either raging egotism or passionate dedication or a childlike desire to was richard nixon, run the life, sandbox, or all three. (4) Being thus identified with what more people would accept as a European style of filmmaking, it should come as no surprise, then, that Lost Highway was financed by the French company CIBY 2000 - as was his last movie, Fire walk with me . Five years after that movie, which had been a success with neither the critics nor the audience which saw it as a mere 'rip-off' of the Twin Peaks series, Lynch's new movie still divides both: two some, it might be the best movie David Lynch has ever made, (5) other reviewers emerged from an early screening of Lost Highway with the cry 'Garbage!' (6) So, what is the excitement all about? Although I am perfectly aware of the fact that any attempt to 'explain' Lost Highway ultimately results in a 'smoothening' of its complex structure into a linear narrative, I will try to give a short outline of its content. Ostensibly, Lost Highway is the story of Fred Madison, jazz musician. His wife, Renee, is a strangely withdrawn beauty. A disturbing study of contemporary marital hell, the of the following true of the music of the period?, first part of the movie concentrates on life Fred's anxiety and method example problem, insecurity, which escalates as he begins to realize that Renee may be leading a double life. Renee is the focus of Fred's paranoia: she is seen as both a precious object and a paragraph about life, the cause of her husband's nightmares. Piaget Theory Of Play? In the course of the movie, they find a series of disturbing videotapes dropped at their door. A Paragraph Life? The first merely shows their house.

The second depicts the couple in bed, from an incredibly strange angle. The third and final video shows Fred screaming over Renee's mutilated and method example, bloody corpse. With brutal suddenness, Fred is convicted of murder and sentenced to die in the electric chair, though he can't seem to remember anything. In his death-row cell, Fred is continually haunted by life, visions and headaches. At this moment, Fred somehow morphs into Pete Dayton, a young mechanic who is suddenly sitting in Essay on Businesses Breaks Fred's cell.

Pete's life is situated in typical Lynchian suburbia, an almost exact replica of the small-town in Blue Velvet . Similarly to Blue Velvet 's Lumberton, Pete's life is overshadowed by his connections to the town's Mafia boss, Mr. Eddy. About Life? At some point, Pete meets Alice Wakefield, Mr.Eddy's babe. Within a few minutes, Pete, although he is still dating his girlfriend Sheila, finds himself entangled in a sultry love affair with the local Godfather's moll - a woman who looks like Renee to a hair: whereas Renee was brunette, Alice is a platinum blonde (if you're thinking of Hitchcock's Vertigo - double Kim Novak - here, you're right; Lynch himself had already made use of this 'double' in his Twin Peaks series). Alice, like Renee, is leading a double life.

Being a member of the porno underworld, Alice, in classic film- noir-femme-fatale fashion, tempts Pete to was richard nixon, commit betrayal and murder until, finally, a strange encounter at a cabin in the desert connects the movie's two story strands full circle, or, to about, be more precise, full Moebius Strip: Pete disappears, Fred re-surfaces again. Such is the 'rough' plot. Already here it becomes obvious that the structure of this movie is anything but 'simple.' To this I am going to on Businesses and Tax in a Digital, approach my subject asymptotically, that is, indirectly, in a series of excursions -- to circle my subject by a paragraph about, way of digressions. DIGRESSION 1: ON SUTURE/ SUTURE. The enigmaticity of David Lynch's Lost Highway confronts us again with the question: What are we doing when we are watching a film? How do we read films? This very problem is and has been at the heart of Film Studies, in connection with a related question: does the diegetic reality of the film mimetically represent reality, or does it have the status of a symbolic, differential structure? As Peter Wollen has put it, [t]o what extent does film communicate by reproducing an imprint, in Bazin's term, of reality and of natural expressivity of the Essay on Businesses Breaks Digital Economy, world . Or, to what extent does it mediate and deform (or transform) reality and natural expressivity by displacing it into a more or less arbitrary and a paragraph about, non- analoguous system and Essay and Tax, thence reconstituting it, not only about, imaginatively, but in some sense symbolically? (7) Both problems collide in the question if a movie as such is was richard nixon impeached something that necessarily should be about something, or if the about, stance against theory of play, interpretation is in fact the more appropriate attitude in a paragraph about particular towards postmodern cultural productions.

David Lynch himself has warned against piaget theory of play, attempts at a paragraph, an unequivocal reading of a filmic text, especially when asked for the 'hidden meaning' of Lost Highway : the beauty of a film that is more abstract is everybody has a different take. . When you are spoon-fed a film, people instantly know what it is . I love things that leave room to of play, dream . (8) Being particularly vague with respect to the question of 'meaning,' Lynch on the other hand emphasizes film as an art form in a paragraph life its own right - It doesn't do any good . to say 'This is what it means.' Film is what it means ( Cinefantastique ). In the following, I want to return to my initial question - What are we doing when we are watching a film? How do we read films? - and rephrase it slightly: what is the on Businesses in a Digital Economy, position of the a paragraph about, spectator with respect to a film? Christian Metz, in his seminal study of cinema as The Imaginary Signifier (9), has tackled the problem from within a Lacanian framework. His analysis starts off from the notion of perception - The cinema's signifier is perceptual (visual and auditory) ( The Imaginary Signifier 42) - and goes on to distinguish the cinema from grading online, other arts inscribed into life, the perceptual register (such as painting, sculpture etc.) by stating that the cinema is more perceptional ( The Imaginary Signifier 43) by involving more perceptional axes. Compared with other types of the 'spectacle,' such as the The Industrial Exploitation, theater or the opera, this apparent superiority, however, is thwarted by the fact that in the cinema, the spectator and the spectacle do not share the same space, since not only the diegetic reality of film is an illusion, the unfolding itself is about fictive: the actor, the 'décor,' the words one hears are all absent, everything is nixon impeached recorded ( The Imaginary Signifier 43). Thus, [t]he unique position of the a paragraph, cinema lies in this dual character of its signifier: unaccustomed perceptual wealth, but at the same time stamped with unreality to an unusual degree . Of The Following Is Not True Classical Period?? it drums up all perception, but to switch it immediately over into its own absence, which is a paragraph about nonetheless the only signifier present ( The Imaginary Signifier 45). This conflation of (perceptual) wealth and simultaneous absence closely connects the cinematic, i.e. the imaginary signifier, to method problem, Lacan's object o , the object- cause that sets desire in motion, the belated reconstruction of the forever lost object. Metz himself draws this connection when he states with respect to film, that the lack is what it wishes to fill, and at the same time what it is always careful to leave gaping, in order to survive as desire. In the end it has no object, at any rate no real object; through real objects which are all substitutes (and all the more numerous and interchangeable for that), it pursues an imaginary object (a 'lost object') which is its true object, an object that has always been lost and is always desired as such. ( The Imaginary Signifier 59)

In further relating film to a paragraph about, (and also distinguishing it from) the dream, daydream and theory of play, (conscious) fantasy (and thus relating film to the status of a symptom, of a cultural - or, culturally sanctioned - pathology), Metz' imaginary signifier can be seen to be inscribed the Lacanian formula of desire, which is about also the formula of Sweatshops, fantasy/the phantasma, and which reads : The phantasma is defined in the most general form which it receives through an algebra constructed by us . the formula ( ), in life which the romb should be read as 'desire for.' (10) The further question now arises how, in the cinematic situation, this 'desire for' the cinematic signifier is realized. According to Metz, the spectator - simultaneously all- perceiving ( The Imaginary Signifier 48), since s/he first of all identifies with himself . as a pure act of perception ( The Imaginary Signifier 49), but in fact 'missing' on the screen (which is why the film is a very special kind of essay grading, mirror) - also identifies with what's going on on- screen. One (and in fact, the most common) way, is to identify with the 'central character' in/of the film, which is about life ultimately an identification with a certain camera position. Metz thus defines the position of the spectator as basically voyeuristic, a position that has been thematized in quite a lot of jean, films ( Psycho , Peeping Tom , Halloween ), a paradigmatic example being Lynch's own Blue Velvet . A Paragraph? In semiotic film studies, the relation of the spectator position to the film - which recalls the relation of the of the music classical, subject to its object of desire in a paragraph Lacan's formula- is called 'suture.' (11) Being mainly a medical term, suture means both 'seam' and the process of stitching a wound. Essay? Following Jacques-Alain Miller's definition of suture, this concept denotes the procedures by means of which cinematic texts confer subjectivity upon their viewers ( Subject of Semiotics 195).

However, even if Miller provided an elaboration of a paragraph about, suture, it is first of all a Lacanian term, and in of play the following I would like to do a cross-over of the cinematic reading of suture with a psychoanalytical reading of about, this concept, only fitting for a medium which is constantly brought into proximity with psychic formations. According to Lacan, the subject is an effect of the signifier, of discourse, insofar that the signifier even represents the of the following statements music classical, subject for another signifier ( Écrits 316) The subject thus has to a paragraph, permanently re- invent and re-assure itself through its discourses - that is, through language, literature, and through film, among others. Miller defines suture as that moment where the subject fades by essay, becoming represented - in discourse - by a signifier: Suture names the relation of the subject to the chain of its discourse . it figures there as the element which is lacking, in the form of a stand-in. A Paragraph About? For, while there lacking, it is not purely and simply absent. Suture, by theory, extension - the general relation of lack to the structure of which it is an element, inasmuch as it implies the position of taking-the-place-of. (12) This definition not accidentally recalls Metz' observation that the spectator is as such missing from the cinematic discourse, and that the viewing subject might identify with the a paragraph about life, camera position as its stand-in.

This has lead some theorists, such as Jean-Pierre Oudart, to identify the operation of suture with certain filmic techniques, especially the shot/reverse shot which facilitates (and directs) the spectator's identification with a certain gaze. Stephen Heath has expanded the concept of suture, arguing against its equation with such formalized techniques and strategies. Since the imaginary and the symbolic are always simultaneously present - an image having no value in itself, but always with reference to a cultural background, to a set of rules or genre-conventions - suture in Heath's account refers to the play of following is not true music of the classical period?, presence and absence as a mode of a paragraph, subject production in which the identification with the image always has to Essays, be read against the background of about, a symbolic system: the spectator is always already in Breaks in a the symbolic . No discourse without suture . , but equally, no suture which is not from the a paragraph about life, beginning specifically defined within a particular system which gives it form . (13) With Lacan, the term suture denotes the conjunction of the imaginary and the symbolic. Was Richard Nixon Impeached? (14) With respect to a paragraph about life, the Lacanian registers of the imaginary, the symbolic, and the real, suture thus refers to the stitching of the representational registers, with the seam closing off the real from reality, closing off the nixon impeached, unconscious from conscious discourse. Suture thus prevents the subject from losing its status as a subject, prevents it from falling into the void of the real, from falling into psychosis. Thus, the subject's identification with the life, movie fundamentally relies on this conjunction of the imaginary and the symbolic levels within the cinematic discourse itself. Normally , that is, in most of the examples of the classical Hollywood movie, this junction is well balanced: the means of grading online, representation parallel the narrative itself, in a mutual and constant comment.

If suture, then, ultimately ties the spectator into the movie by mapping the visual/aural (i.e. perceptual, and thus imaginary) means of representation onto the narrative (and the structure of the narrative), the a paragraph life, ripping open of piaget of play, that seam consequently has to a paragraph, result in a problematization, if not complete undermining of identification. This de-suturing then draws attention to the fabrication of the illusion of whole-ness of both the Essay Breaks in a Digital Economy, spectator and about, the movie. The 1993 film Suture by Scott McGehee and David Siegel provides a good example for such a de- suturing . Statements Is Not True Of The Of The Classical? (15) Suture begins with the attempt of Vincent Towers, a millionaire who has killed his father, to kill his identical half-brother Clay Arlington in a planned car explosion and to pass him off as himself to escape prosecution. The plan goes awry, and a paragraph life, Clay survives - a mass of bruises and broken bones, having lost his memory. The movie follows Clay who slowly starts to take on his brother's identity. Still, Clay severely suffers from memory flashbacks which he cannot accept as his own. However, the end of the nixon impeached, film - which indeed is its starting image as well, since the movie as such is life a long flashback - shows Clay, who has by now fully accepted his new identity as Vincent Towers, shooting his brother who has returned to bring his plan to a successful close. After his brother's death, Clay decides to remain the scientific method example problem, other rather than himself, leading a happy life with his beautiful cosmetic surgeon Renée Descartes. No problem so far.

But, on the level of representation, the spectator is constantly held in the process of de-suturing. About? The movie constantly emphasizes the physical similarity of the which of the following statements of the, two brothers (on the blurb on the video jacket, they are actually referred to as 'twin brothers'), which is in about fact a prerequisite for the film to function in jean piaget theory the first place. Our physical resemblance, remarks Vincent at one point, is striking. However, the two brothers could not be more different: Vincent is white, whereas Clay is an African-American. This perverse logic is consequently reflected in the title of the film: the movie Suture ultimately withholds suture. (16) Lost Highway , I argue, functions in a paragraph quite a similar manner. In order to slowly approach this problem, I will in the following comment on certain aspects of the film which I think are most important for an understanding . First, there is the structure of the film. After the credit titles that flicker over the screen - fittingly accompanied by method example problem, David Bowie's song I'm deranged, a track that sets the tone for what's to come - the movie begins with Fred sitting alone in front of a window, smoking, his image mirrored in the pane of glass, when suddenly a message comes in through the a paragraph, intercom: Dick Laurent is dead! (29K .wav file) Fred does not - yet - know who this mysterious Dick Laurent is (or better: was), nor who it was who brought the message. Neither does the spectator.

Shortly before the end of the movie, Fred rushes to his house and delivers exactly this message - Dick Laurent is is not true of the music dead! - into his own intercom. Whereas most reviewers have failed to take notice of this strange structure, in favor of a more straightforward telling of the tale, even the one article that has mentioned it fails to acknowledge its real impact: at the conclusion of Lost Highway , when Fred returns to his home to deliver the message that will set the whole narrative in motion again, a new element has entered . the script that was not there the first time around in the form of the cop cars waiting outside the home. This illustrates well that repetition is never identical, and that at the core of sameness is difference. (17) If we have a look - or much more importantly - a careful LISTEN - to these two scenes again . right after the Dick Laurant is dead message, you can hear sirens, and a car speeding off . in fact, they're the same sirens (and car speeding off) that occur at the end of the about, movie. So, the reviewer quoted before was right, it is about repetition with a difference, there is a new element, but it's not the cop cars, it is the position of Fred. It is not, however, that he has simply changed from grading, receiver to a paragraph, sender: he is both sender and receiver, AND AT THE SAME TIME . AND SPACE! In order to online, approach this mystery, a different topology is needed, a topology accounting for a time-space that differs markedly from a paragraph about, Euclidean space and teleological time concepts. A topological figure that makes such things possible is the Moebius Strip, and both Lynch and Barry Gifford, with whom Lynch collaborated on the screenplay, have mentioned this figure in interviews. (18) So, what is a Moebius Strip? DIGRESSION 2: HOW TO MAKE A MOEBIUS STRIP. Take a strip of paper Make sure that it has two sides Take one end of the nixon, strip, make a 180 degree twist, and a paragraph, put it to the other end. Tape - or, better, with respect to suture, which is important, as we will see - stitch the two ends together.

As a result, you now have a one-sided figure instead of grading online, a two- sided figure. Ill 1: The Moebius Strip. The Moebius Strip subverts the normal, i.e. Euclidean way of spatial (and, ultimately: temporal) representation, seemingly having two sides, but in fact having only one. At one point the two sides can be clearly distinguished, but when you traverse the strip as a whole, the two sides are experienced as being continuous. Life? This figure is The Industrial Exploitation one of the topological figures studied and put to use by about, Lacan. (19) On the one hand, Lacan employs the impeached, Moebius Strip as a model to conceptualize the a paragraph life, return of the repressed, an issue important in Lost Highway as well. On the other hand, it can illustrate the way psychoanalysis conceptualizes certain binary oppositions, such as inside/outside, before/after, signifier/signified etc. - and can, with respect to Lost Highway , characterize Fred/Pete. Scientific? These oppositions are normally seen as completely distinct; the Moebius Strip, however, enables us to see them as continuous with each other: the a paragraph about life, one, as it is, is the truth of the other, and vice versa. Method Example Problem? Reni Celeste invokes a similar topology, when she comments on Lynch's rewriting of American metaphysics, a rewriting that emphasizes the position where violence meets tenderness, waking meets dream, blond meets brunette, lipstick meets blood, where something very sweet and innocuous becomes something very sick and degrading, at the very border where opposites becomes both discrete and indistinguishable (Celeste). In Lost Highway , the merging of a paragraph about life, opposites is crucial, and the problematization of the inside/outside opposition is was richard nixon a most important issue.

In fact, it is an important issue in Lynch's oeuvre as such - it suffices to about life, refer to the scene in Blue Velvet , when the camera intrudes the severed ear that Jeffrey finds, and at the end of the movie, the camera virtually seems to come out of Jeffrey's ear again. In Lost Highway , the question of inside and outside and The Industrial Era: Sweatshops Essays, their conflation is repeatedly posed. On a general level, the diegetic reality of the movie - that what we actually see on the screen, as it were, INSIDE the movie - is composed out of bits and pieces from other movies: Lynch uses the different genres of Hollywood as a kind of quarry. And not only the Hollywood genres: he almost violently exploits his own wealth of images, almost every shot initiates the shock of recognition. One might call this repetitiveness, but, after all, language in general - and life, especially a distinct film-language such as Lynch's - relies on repetition in order to function.

Another specific example of the merging of inside and outside apart from the frame-tale (Dick Laurent is dead) already mentioned, is, most important, the scene in essay grading which Fred meets the Mystery Man for a paragraph, the first time. Essay And Tax Digital? In fact, the Mystery Man - simultaneously being inside and outside - can be read at about, the place where these (and in fact: all) opposites meet, he is - so to speak - the twist in the Moebius strip. In Lacan's use of the Moebius Strip, the Essay Breaks Digital Economy, place denoting the suture of the imaginary and life, symbolic in a way hides the primordial cut that instigated this topological figure in the first place, the cut that is the unconscious (or, in Lacanian terminology: the real). Jean Theory? It is by suturing off the real that reality for the subject remains a coherent illusion , that prevents the subject from falling prey to the real, that is, falling into psychosis. It is no wonder, then, that the Mystery Man always appears when a change in personality is close. Reni Celeste is correct when she observes that in life Lost Highway , there are three important fissures: that which exists between one discrete individual and another, that which exists between the individual and itself, and that which exists between the thing and its representation . Th[e] Nameless Man [Celeste's name for the Mystery Man] . stands between doubles, between passages from one realm to the next, and between each individual and essay, itself (Celeste). Life? However, it is important to note that the structure of the Moebius Strip re-conceptualizes these fissures, allowing them to scientific method problem, be seen not so much as fissures, or ruptures, but as places of transition. A Paragraph Life? Lost Highway 's moebial structure disallows the suture of the subject into the narrative.

In contrast to the traditional Hollywood diegesis, in which the narrative unfolds in a straightforwardly telelogical manner - even in spite of displacing strategies such as flashbacks, or the essay grading online, film within the about life, film-motif - Lost Highway in fact presents a multiple diegesis. The Industrial Sweatshops Exploitation? The more so, since both stories - the story of Fred and the story of Pete - are not simply related to each other as prequel, and/or the about life, solution of the other. Although there are definite anchoring points that clearly connect the two stories: the one does not subsume the other without remainder. It might even be argued that with every identity shift, the narrative produces yet another author/narrator. Keeping to the Script. I now want to refer to the attempts of categorization of the movie undertaken by its script writers. The movie has been dubbed by online, Lynch and Gifford (e.g., in the published version of the about life, screenplay) as A 21st Century Noir Horror Film. A graphic investigation into parallel identity crises. A world where time is dangerously out of control. A terrifying ride down the lost highway. Whereas the time dangerously out of control has already been hinted at in the section on the Moebius Strip, I want to use the remaining markers in the following as a kind of guideline.

A 21st Century Noir Horror Film. I don't like pictures that are one genre only, so this is a combination of things, (20) Lynch has said in a recent interview. Elsewhere, Lynch has articulated his fascination with the noir genre: There's a human condition there - people in trouble, people led into Essay on Businesses and Tax in a Economy, situations that become increasingly dangerous. And it's also about mood and those kinds of a paragraph about life, things that can only happen at night (Press Kit). I want to focus on the noir genre, not with its foregrounding of amnesia, mistaken and/or changed identities (as, e.g., in Dark Passage ), of which there are obvious references in Lost Highway . I would like to concentrate on the genre's disturbed and disturbing urban environment, on the figures of mobsters and femme fatales , with respect to essay, the Oedipal constellation that underlies the genre, and about, I think it is mainly in this connection that Lost Highway (and here especially the second part, Pete's story) can be regarded as a noir movie. (21) In the essay '10 Shades of Noir,' the e-zine Images states that [u]nlike other forms of cinema, the essay grading, film noir has no paraphernalia that it can truly call its own.

The film noir borrows its paraphernalia from other forms, usually from the about life, crime and detective genres, but often overlapping into thrillers, horror, and even science fiction. (22) Hence Slavoj Zizek's observation that noir might not be a genre of its own kind . Jean Of Play? [, but] a kind of logical operator introducing the same anamorphic distortion in every genre to which it is applied. A Paragraph About Life? (23) Zizek relates this anamorphic distortion to questions of identity which are more often than not played out in an Oedipal scenario. The first part of Lost Highway presents a marital scenario of nixon impeached, uncertainty, anxiety, and unspoken suspicion. It takes place in a house which more resembles a fortress than a cosy home. From the film's beginning, we have the feeling of tension and a paragraph about, fear: home, the family unit is the place of trouble and and Tax Breaks Digital, terror. This feeling is emphasized by a paragraph, Lynch's masterly employment of the soundtrack.

For Lynch, [h]alf of [a] film is picture . the other half is sound. They've got to work together ( Press Kit ). So, in was richard impeached Lynch's work, the soundtrack is a most important factor to enhance the mood of life, a scene. Essay Breaks In A Digital? For example, during the dialogues between Fred and Renee there is no resonance to their voices. It is as if the a paragraph about life, works are spoken in a sound-absorbing environment, the whole spectrum of of the true of the music of the, overtones, all those features that make a human voice seem alive, seems to have been cut. In its dryness, the voices of Renee and Fred almost seem to about life, enact an absence of on Businesses Economy, sound, or better - an absence of room, of the acoustics of space: it's as if they are living in a recording studio covered in a paragraph life acoustic tile.

This soundscape underlines the similarity of this scenario with Lacan's subject being entangled in the register of the imaginary, most powerful symbolized in the child's symbiotic relationship with the Other, its mother. Era: Exploitation Essays? The incestuous two-ness is underlined by various devices. About? The strange lights in statements true period? the Madison living-room, e.g., those lamps that somehow seem to be throwing their light in strange angles on no object but themselves (24) might indeed be read as a hint at this incestuous relationship: all there is is ourselves. As Steven Shaviro has noted, the a paragraph, Madison house in itself is a closed space, folded back upon itself. (25) Similarly, when Fred has sex with his wife, she lies there, showing no emotions - only The Industrial Exploitation Essays, after the act, she strokes Fred's back, gently, like a mother soothes her child. In such a dyadic world, the child wants to be everything for its mother, and it wants the mother to be there just for it. (26)

Here, in the Madison marriage, we have a routine-version of this symbiosis. All distance has gone, and, since desire can be said to be exactly relying on this distance between subject and object, desire has gone, as well. Being too near to a paragraph about, the object of desire causes anxiety. On Businesses Breaks Digital? And indeed, there are also disturbing signs of something that threatens to undo this imaginary wholeness. First, there are those strange videotapes. In addition, both Fred and Renee have an uncanny feeling of being observed; note for example Renee's facial expression when she finds the first video, which might be both explained by the fact that she fears that it might be one of life, those porn videos she is starring in, and of which Fred does not know anything, or by the general feeling of being observed, a feeling that takes shape in the fact that they live close to the observatory. The outside literally starts to intrude the which of the following statements is not true of the music of the classical, inside, and a paragraph, the threat is emphasized by grading, the deep droning sounds (in a cinema with a good sound system, the spectators actually can feel this threat as a uncomfortable feeling in a paragraph about their stomachs . already in Era: Sweatshops Exploitation Essays Eraserhead , Lynch had made use of this device, the constant droning of a ship's engine underlying the whole movie). (27) Fred also feels that he is not everything to his wife. A Paragraph About? Like the child, he feels that his mother desires something that is beyond him. Fred remembers/dreams of a night when he was playing saxophone in scientific example his club, and he saw Renee disappearing with another guy, Andy . one can see the neon EXIT sign there, and that's exactly how it is: Renee is looking for an exit/escape out of that prison-like symbiosis. So, after he had sex with Renee, Fred's face expresses not only horror, but also the burning question: What am I for you?

What am I for the Other? So, somehow, Fred is precisely dependent on the desire of the Other, and therefore it is necessary for him that the Other, Renee, exactly remains in her position as love-giving, complete Mother, unspoiled by a paragraph, any lack - and it is such a lack that the mother reveals in her desire for someone else, and also the lack in the child, Fred, since he is seen as incapable of filling the scientific method, lack. Thus, the imaginary scenario is an attempt of a paragraph, Fred's to disavow castration by all means. In the second part of the on Businesses and Tax Digital Economy, movie, Fred's story, the Oedipal scenario is a paragraph brought to of the statements true of the classical, the fore even stronger. Here, now, we have Fred, the about life, young man; Alice, the scientific method example, femme fatale ; and life, Mr. Eddy, the father-like mobster. Father, because both of Essay on Businesses and Tax Breaks in a, his age, and because he treats Pete with a kind of a paragraph life, paternal attitude.

In Lacanian terminology, the father-figure is accepted by the subject as its ideal-ego, and as such serves for the internalization of the laws of society. However, the flip-side of this benevolent figure of the nixon, ideal-ego is the super-ego, the father as perverse father, the exception at the origin of the law. The Master, the a paragraph about life, Father, he who gives the Law is an impeached obscene, ferocious figure ( Écrits 256) that imposes a senseless, destructive . almost always anti-legal morality. A Paragraph Life? (28) To imagine what is at stake, it suffices to recall Freud's notion of the Urhorde . The primal father enjoyed all the women of the tribe, he was the chieftain, the law-giver, and when his sons killed him, out of online, shame the a paragraph, forbid themselves to have all the women. So, at the bottom of the law, of the incest taboo, there is the figure of the which of the following statements true of the of the period?, One who had been the exception to the rule. In Lost Highway , this becomes clear in a paragraph about the scene when Mr. Eddy beats and humilates a driver for tail-gating (85K .wav file). Mr. Eddy explicitly takes recourse to the law in his perverse pleasure, and with Slavoj Zizek it can be argued that it is exactly in the law, in the hyper-correct following of it, that the pervert finds pleasure. (29) In terms of the theory of play, Moebius Strip, then, in a paragraph Lost Highway there is Era: Exploitation Essays a switch from the a paragraph, desire of the (M)Other to the Name-of-the Father (Lacan's nom/non de pere , which can also mean the Essays, No!-of-the-father, as in Mr. Eddy's warning that Alice is his babe). (30) It is important to note that here the spectator learns that Mr.

Eddy is Dick Laurent (the name Dick clearly associating phallic, paternal power), and that Dick Laurent is dead, that the about, dead father is already from the word go lurking there in nixon the background, representing the symbolic agency that thwarts the a paragraph life, symbiotic relationship of Renee and Fred. Breaks? This twist parallels the about, switch from the realm of the pre-oedipal drives, closely related to the mother, to the realm of desire proper, and desire here inextricably related to method, lack, to the never-receding distance to the object, as can clearly be seen in the sexy love-scene between Fred and Alice - You'll never have me! (79K .wav file) A graphic investigation into parallel identity crises It is the phrase parallel identity crises that interests me the most here. It is usually read in terms of 'double identity,' mostly using the term schizophrenia . About? There has been quite some misunderstanding about this very term. Was Richard Nixon Impeached? In 1911, the Swiss psychiatrist Paul Eugen Bleuler replaced Kraepelin's term for a group of psychoses, dementia praecox , with the term schizophrenia . Dementia praecox meant a psychosis of early onset, which Bleuler wanted to capture with the term schizophrenia, meaning literally split mind, since he thought the splitting of psychic functions to be the structuring element of these psychoses. Colin Ross, in his study on Dissociative Identity Disorders, a term including pathologies such as Multiple Personality Disorder (MPD) and the Borderline Syndrome, states that, dementia praecox is actually a better name for a paragraph life, this group of disorders [described by Essays, Kraeplin] than schizophrenia , while schizophrenia is a better name for [Dissociative Identity Disorder] than multiple persona disorder. (31) Hence the popular notion of schizophrenia as split personality, a misconception that does not account for the fact that schizophrenia is an organic disorder of the brain, and not actually a personality disorder.

In addition to this reading of parallel identity crises in terms of split personality, I want to suggest some further thoughts that account for this split with reference to the structure of the Moebius Strip. Thus, it is not that simple that Pete's story is only the reverse of Fred's story (remember, a Moebius Strip has no such thing as a reverse side - it is one- sided!). Parallel, in the moebial sense of the word , does not mean double or reverse here, but mutual . Pete's story is not only the reverse side of Fred's story, simultaneously Fred's story has to be the reverse side of Pete's story . otherwise the constant references to a paragraph, that night (the film's lacunae) would not make sense. True to the logic of the nixon, Moebius Strip, what on a very local level seem to a paragraph life, be two sides of the story is actually one. In this moebial twist, the truth of the one is the truth of the other, in that they are the same.

On the Essay Breaks in a, level of the images of the movie, this complicity can be shown by a comparison of two scenes that occur more than once in Lost Highway. These two scenes of Fred in the dark hallway (Renee calling Fred!) and Pete in front of his parents' house (Sheila calling Pete!), viewed in parallel, function like a kind of worm-hole which traverses the different event-levels of the about life, movie - I would even argue that if you mirrored those two scenes onto scientific two screens put next to each other, it would have the effect of the one character changing over to the realm/screen of the other. About Life? Another 'perspective' of example, this simultaneous immersion can be seen in the transformation scene. Here again, the moebial twist of inside and outside, one and other, is brought to the fore, this time effected by a paragraph, shots intruding the inside of the body. A last reference I want to make use of is the term psychogenic fugue that the French Production Company of nixon impeached, Lost Highway , CIBY 2000, used as a kind of short- hand plot-synopsis in their pre-publicity campaign for the movie. In an interview with David Lynch, Chris Rodley asked Lynch if he was ever aware that such a mental condition, a form of amnesia which is a flight from reality, actually existed ( Lynch on Lynch 238-9).

Lynch answered that. the unit publicist on the picture, happened to find it in some medical journal or something. She showed it to us, and it was like Lost Highway . Not literally, but an interior thing can happen that's very similar. A certain mental disturbance. A Paragraph About Life? But it sounds like such a beautiful thing - 'psychogenic fugue.' It has music and it has a certain force and dreamlike quality I think it's beautiful, even if it didn't mean anything. Was Richard Nixon? ( Lynch on Lynch 239) Yet it does mean something, and in this last section of this article, I want to situate Lost Highway in life the context of human pathology.

First of all, I want to return to Lacanian psychoanalysis and to the road metaphor in which true of the music period? one and the same gesture. I have shown elsewhere that in a Heideggerian and Lacanian context, the metaphor of the road can serve as a trope not so much for freedom and about, rebellion, but as a trope for scientific, life as such as detour. (32) Lacan employs the metaphor of the road in his account of the death drive, (33) but he makes it unmistakably clear that such a notion of the drive is far from life, representing an imaginary and narcissistic freedom from any law whatsoever. Even this drive for jean of play, freedom depends for its existence on laws, on about life barriers . freedom needs barriers for their transgression. In his seminar on jean piaget theory of play the psychoses, Lacan explores the factors that trigger off a psychosis. And again, he takes recourse to life, the metaphor of the road. In a chapter appropriately named The highway and the signifier 'being a father,' he writes: a succession of minor roads and a highway are not at all the same thing. . Example Problem? The highway isn't something that extends from one road to another, it's a dimension spread out in space, the presencing of an original reality. If I take the highway as an example, it's because . it's a path of about, communication. . the highway is an undeniable signifier in essay grading online human experience. (34)

What Lacan is alluding here to a paragraph about, is his notion of the point de capiton , the was richard impeached, quilting point, which is that point which makes sure that some temporary notion of meaning can be created in life language. Essay And Tax Breaks Digital? Again, as in life the concept of suture, the metaphor of stitching and sewing comes to the fore, since a quilting point designates an upholstery button, a place where the mattress-makers needle has worked hard to prevent a shapeless mass of stuffing from moving to freely about. (35) So a point de capiton is a place where signified and signifier are literally stitched together - this is suture in essay the register of the symbolic. Like a highway with respect to a system of smaller streets, the about, quilting point holds that system of discourse together, and a minimal number of these points are necessary for a human being to be called normal, and which, when they are not established, or when they give way, make a psychotic ( Seminar III 268-9). According to Lacan, the scientific method example problem, most important points de capiton , the highway amongst some minor roads, so to speak, is the name of the father , the paternal metaphor, which is quite important in about Lynch's post-patriarchal project. The Industrial Exploitation Essays? (36) The answer to Lacan's rhetorical question - [w]hat happens when we don't have a highway . ( Seminar III 292), or, in other words, what happens when the a paragraph about, highway is lost - is: psychosis. The foreclosure, what Freud called Verwerfung , of the primordial signifier, the Era: Sweatshops, name of the father , is about a strategy for evading castration: the subject is castrated by its entry into the symbolic, into language and society. Thus, the denial of this castration leads to psychosis. This rejection of the symbolic Other that results in the disappearance of the phallic function leads to the subject's distortion of its relation to the social order as well to its loss of sexual identity. As in Freud's case of was richard impeached, Judge Schreber, Fred Madison tries to escape the threat of castration, but he experiences a return of the repressed in the real instead of in the symbolic, in his hallucinations (that is, in his second identity as Pete), because he does not accept the a paragraph, name of the father , the agency that might disturb his symbiotic relationship with Renee and/or Alice: Dick Laurent is dead! So, the Highway of the title is exactly this quilting point, this suture, that would be necessary for the subject to be inscribed into reality, into a state of normality.

Once this point is lost, once this seam is undone, the subject falls prey to was richard nixon impeached, the real, becomes psychotic. With respect to the delusional aspects of psychosis, Lacan comments on this buzzing that people who are hallucinating so often depict . this continuous murmur . is nothing other than the infinity of these minor paths ( Seminar III 294), these minor paths that have lost their central highway. What is the deep droning sound underlying most of the a paragraph about, movie but this continuous murmur? The dissolution of reality is alarmingly hinted at when Fred, being asked to on Businesses and Tax in a Digital Economy, comment on the fact that he does not like video cameras, remarks - I like to remember things my own way. . How I remember them, not necessarily the way they happened. (117K .wav file) (37) Seen in this light, the videos might represent the a paragraph about, truth the way it happened, that is: the was richard, repressed truth of a paragraph about life, Fred (and it is Essay and Tax Breaks Economy here that the sequence of the burning cabin shot in about reverse gains special significance as a recurring image of that repression). Lost Highway treats its topic performatively, not just representationally (Wallace). Thus, taken as metaphor, what is at stake here is the notion of the of play, decentered or split subject. One image in life the movie which makes it clear is the jean piaget theory, image of the highway itself. There are two variants of this specific shot that are important here. On the one hand, there is a kind of double-exposure of this particular image, which indeed hints at about, the split in the subject, at the dissociation. (38) On another level, the dotted line can also be read as the subject's attempt at Exploitation Essays, suture, at the stitching of reality and closing off the real again, of which the symptom itself is a way of dealing with. The very term psychogenic fugue in Lynch's statement connects Lost Highway to a pathology that has gained prominence particularly during the few last years - the before mentioned Dissociative Disorders, such as the Borderline Syndrom and MPD - Multiple Persona Disorder. The term psychogenic fugue in particular is closely connected to the latter.

The symptom called psychogenic fugue involves a sudden, unexpected travel away from one's home or customary place of work, with an inability to recall the about, past, that occurs in the absence of an organic mental disorder . There is often the was richard nixon impeached, assumption of a new identity. . Typically, individuals in a fugue state have no memory of about, their primary identity. When they recover their primary identity, they often have a reciprocal amnesia for The Industrial Exploitation Essays, the events of the fugue state. (39) It is widely acknowledged that this symptom, closely connected to life, a kind of and Tax in a Digital, time-loss in the patient's memory, is a common feature of MPD, a disorder having entered mass consciousness through the about life, biography, case study and movie The 3 Faces of Eve , starring Joanne Woodward. (40) Like the grading, Borderline Syndrome, MPD is a paragraph a type of narcissistic personality organization, (41) that is, basically, a disorder of the ego-functions. Whereas in the Borderline Syndrome, the subject is unable to create a coherent ego, that is, to create the illusion of autonomy, MPD refers to is not true of the period?, the splitting of the subject's ego into several compartmentalized personae. The revised third edition of the Diagnostic and Statistical Manual of Mental Disorders [ DSM-III-R ] gives the following criteria for MPD: The existence within the individual of two or more distinct personalities or personality states (each with its own relatively enduring pattern of perceiving, relating to and thinking about the environment and one's self).

Each of a paragraph life, these personality states at some time, and recurrently, takes full control of the individual's behavior. (42) The main reason for the onset of MPD is to be found in traumatic experiences, one of the The Industrial Era: Exploitation, most common of a paragraph about life, which is continuous sexual abuse, mostly in early childhood. MPD thus is a strategy invented by was richard nixon impeached, the subject to cope with unmanageable stressors, (43) a strategy to escape the stress of an unbearable traumatic event - such as, e.g., the murder of one's own wife. [or that night] Both the a paragraph about, Borderline Syndrom and MPD are almost exclusively American pathologies. The question has already been raised, what might be the reasons for this being so. Varma, Bouri and The Industrial Exploitation, Vig, three Indian psychiatrists, have argued that twentieth-century Western man, especially in North America, has shown a special fascination with role playing. The role is adopted with some gain or favourable outcome in mind. The fulfillment of the about life, role may make him act even in a manner contrary to his usual self . The role adopted, like in multiple personality . Sweatshops Exploitation? represents an expedient or expected behaviour conceived for a particular setting. (44) While there are similar kinds of possession states in about life other cultures, e.g. Voodoo (Haiti), Latah (Malaysia) or Whitigo (Cree Indians), in the United States the equivalent would have to be looked for Exploitation Essays, in media culture. No wonder, then, that in the literature dealing with MPD, cultural and media influences rate highly.

Ray Aldridge-Morris refers to a paragraph about, the fact that North America is inextricably associated with show business . and the film industry in particular (Aldridge-Morris 108), and Ian Hacking has observed that the different personae tend to be stock television characters, often assuming even names from jean of play, sitcoms or crime serials . Indeed the rapid changes of character remind one of nothing else than 'zapping.' (45) With regard to postmodern American consumer culture, Hanjo Berressem has rightly argued that a somewhat cynical case might be made for the idea that multiple or fractal selfs are once more good consumers, because each role, or alter, can be inserted into a separate market. (46) With respect to Lost Highway , it has to be noted that the narrative of the movie is located in Los Angeles, the about, film metropole. Another point which I think might be worth-wile analyzing is the function of the abundance of references to means of media and communication in this movie: videotapes, camcorders, cell phones, phones, the Essay and Tax in a Digital, intercom. A Paragraph About? The whole movie, as it seems, is penetrated by a kind of communicational electro-smog , and somehow all of these devices are related to very strange and following statements true of the classical, mysterious powers. Another point that in my eyes makes MPD an especially American cultural pathology is a fact that relates it to American History itself. Commenting on Lost Highway , David Lynch highlighted the initial idea that started the whole thing. What if one person woke up one day and was another person? ( Cinefantastique ). A review of the life, movie rendered this basic premise in more direct terms - What if I had a second chance? (Review by Steve Biodrowski in Cinefantastique ). This initial question, I argue, reminds one of one the most basic truths of American History.

John T. Irwin, in his study American Hieroglyphics , has commented on the American desire for a limitless possibility, . an infinite 'second chance' or new beginning, one of whose historical manifestations was the was richard impeached, idea of the expanding frontier. (47) Another of these manifestitions, it has to be added, was the idea of the open road . This especially American preoccupation with an ever new beginning, with a second chance, also nicely ties in with the cultural pathology of MPD. The clinical picture of MPD, I argue, is put to use in Lost Highway as a metaphor for the split, decentered subject, in a similar way of Allucquere Rosanna Stone's and Sherry Turkle's treatment of this parallel. Turkle writes: Through contemporary psychoanalytic theory which stresses the decentered subject and about, through the fragmented selves presented by patients (and most dramatically by patients who present with multiple personality) psychology confronts the ways in which any unitary notion of identity is problematic and illusory. What is the self when it functions as a society? What is the self when it divides its labor among its constituent 'alters' or 'avatars'? (48)

I would like to problem, add a final comment on the term psychogenic fugue, not as a clinical phenomenon, but as a term. In his interview with Lynch, Chris Rodley also mentioned the connection with the musical term fugue , describing it as one theme starts and is then taken up by a paragraph life, a second theme in answer. But the first continues to supply an accompaniment or counter-theme . You could therefore describe Lost Highway uniquely as a film which truly echoes a musical term. . Did you and following statements true of the classical, Angelo Badalamenti discuss the score in a paragraph life terms of a fugue? ( Lynch on Lynch 239). After giving you the was richard nixon, additional information that in a fugue, not only one theme is taken up by a second theme, but also by another instrument, another voice, I want to a paragraph about life, give you Lynch's answer, which I think is quite revealing. On Businesses And Tax In A Digital? He said, Fugues make me feel insane. Life? I can only listen to a certain amount of a fugue, and then I feel like I'm gonna blow up from the inside out ( Lynch on piaget theory of play Lynch 239). (49) And here we are back again, full circle, where we started - Lynch's fascination with the mystery: To me, a mystery is life like a magnet.

Whenever there is something that's unknown, it has a certain pull to it ( Lynch on Lynch 231). Lacan, in of the true music period? his evaluation of the a paragraph, mystery, of problem, that which cannot by symbolized, but which nevertheless has immense effects in symbolization, goes even further: The tip of meaning, one can sense it, is the enigma, (50) insofar as meaning as such is something that can never be halted, never be fixed - there is always a remainder. This remainder, I argue, that which cannot be symbolized, is on the one hand given in the movie as a kind of excess of the a paragraph about life, images, a kind of impeached, surplus-value of the imaginary which manifests itself in moments of jouissance . A Paragraph Life? On the The Industrial Era: Sweatshops Exploitation Essays, other hand, the enigma in a paragraph life Lost Highway takes on its most concrete form in of the statements true of the the gaps and voids, in the long sequences of darkness that permeate the whole movie. A Paragraph About Life? These so-to-speak materialized cuts (sometimes almost 30 seconds of pure dark screen) provide the space where a) suture is wilfully withheld, and b) where the mystery/enigma somehow can be both felt and filled by the spectator . finally, there is - or: can be - a certain strange version of suture that functions by alining the scientific example, gaps in the cinematic discourse with the desire of the spectator: in filling the gaps with his own interpretations/obsessions / images, he becomes an life important part of the diegetic reality of the movie, a kind of lynchian version of unconscious interactivity. So, what happens to Fred in Essay on Businesses Breaks Digital Economy the end? The very last shot shows him in the process of a paragraph about, transformation again.

Lynch had used almost the following statements is not music of the period?, same scene in his second movie, The Elephant Man , where it denoted the effect of a traumatic experience on the process of giving birth to a new subject. What will be the result of Fred's transformation? Yet another persona? Or, will he re-transform into Pete, thus adding another temporal twist to the narrative - remember that Pete had been imprisoned once, not for murder, but for car-theft, and what the police will eventually find after Fred has transformed into Pete again, will simply be Pete, in about life a stolen car . only that now, since the which following statements is not of the music period?, cops had found Pete's fingerprints all over Andy's place, Pete will be charged for a paragraph life, murder . but, does that explain things? Do we now understand ? In the recent remake of the thriller Nightwatch , now called Freeze , the police inspector turned serial-killer, played by Nick Nolte, philosophizes: Explanations are just fictions to make us feel safe. Otherwise, we would have to which following statements is not true of the of the classical, admit the unexplained, and that would leave us prey to the chaos around us. Which is exactly what it is. Or, in terms of Lost Highway : identity is anything but simple, stable, whole. In the end, we can see what it really is: a terrible collection of fragments, fragments like the parts of Renee's mutilated body. My attempt at making sense of Lost Highway has tried to add another such fiction to make one feel safe (even if it in fact might have added even more confusion). (51) As Lacan would have it, [d]esire, in fact, is interpretation itself ( Fundamental Concepts 176).

My reading of Lynch's movie, then, necessarily and inescapably partakes in this desire. It is entangled between ultimate failure and the jouissance that does not serve anything (52) - There is no Truth . A Paragraph About? But one runs after it all the same ( Fundamental Concepts vii). 1 This paper is a slightly revised version of piaget theory, a talk I gave at the American Studies Colloquium 1998 in Olomouc, Czech Republic. 2 Jonathan Culler. A Paragraph About Life? On Deconstruction. Theory and Criticism after Structuralism . Ithaka, New York, 1982, 10. 3 Jacques Lacan.

The Seminar of of the true of the music period?, Jacques Lacan Book II: The Ego in Freud's Theory and in the Technique of life, Psychoanalysis 1954-55 . Trans. S. Tomaselli. Cambridge, 1988, 222. Subsequently quoted as ( Seminar II ). 4 David Foster Wallace. Article on piaget of play Lost Highway in Premiere , Sept. 1996. http://www.m Subsequently quoted as (Wallace). 5 Mikal Gilmore. Article on Lost Highway and Interview with David Lynch. Rolling Stone , March 6, 1997. http://www.mikedu

6 Richard Corliss. 'Mild at Heart.' TIME , April 7, 1997, 77. 7 Peter Wollen. A Paragraph About Life? Readings and Writings: Semiotic Counter-Strategies . London, 1982, 2. 8 Frederick Szebin and Steve Biodrowski. 'A surreal meditation on love, jealousy, identity and reality.' Cinefantastique , April 1997. http://www.miked Subsequently quoted as ( Cinefantastique ). 9 Christian Metz.

The Imaginary Signifier. Psychoanalysis and the Cinema . Trans. C. Britton, A. Williams, B. Brewster and A Guzzetti. Was Richard Impeached? Bloomington, 1982. Subsequently quoted as ( The Imaginary Signifier ). 10 Jacques Lacan. crits . French Edition.

Paris, 1966, 774. Subsequently quoted as ( crits ), referring to the English translation crits . A Selection , by A. Sheridan, New York 1977. 11 Cp. Kaja Silverman's account of this concept in her study The Subject of Semiotics. New York, 1983, 194-236, subsequently quoted as ( Subject of Semiotics ). 12 Jacques-Alain Miller. About Life? 'Suture (elements of the logic of the signifier).' Screen 18:4, (1977/78), 24- 34, 25-6. 13 Cp. Stephen Heath.

Questions of Cinema . Essay Online? Bloomington, 1981, 'On Suture,' 76-112, 100-1. Life? Cp. also the chapter entitled 'On Screen, in jean theory of play Frame: Film and Ideology' (1-18). 14 Jacques Lacan. The Four Fundamental Concepts of Psychoanalysis . Trans. A. Sheridan. New York, London, 1978, 118. Subsequently quoted as ( Fundamental Concepts ). 15 For another comparative reading of the concept of suture and the movie Suture , cp. Hanjo Berressem.

Twisted and Traumatized: Spatial and Temporal Loops in about life American Literature, Art, and Culture . Habilitationsschrift, Aachen 1997. 16 Another short reference to yet another movie: John Woo's Face/Off . In this movie, two men exchange identities; that is, they change faces. Suture , Face/Off , and Lost Highway - they all tackle the question of identity and scientific example problem, of suture . in a way, all three movies are about identity and its vicissitudes, about the construction of a paragraph about, both the in a Economy, subject in the diegetic reality of the movie, and of the spectator. Suture thematizes the about life, concept of identity as an effect of (illusory) identification, and ultimately withholds the comfort of essay grading, suture, of a stable position both within diegetic reality and off-screen. A Paragraph About Life? John Woo's Face/Off comments on the Aristotelean truth that physiognomy mirrors character. This truth is countered with an almost metaphysical sense of self beyond mere looks, a self, however, that most prominently reveals itself in a language of the body , in small gestures. The suture that holds the movie together is quite literally the seam which stitches Nicholas Cage's face onto John Travolta's head (and vice versa) and 'functions' in fact only if the spectator is willing to accept this improbability. In Lost Highway finally, the identity of the on-screen subject is related to different positions it takes with respect to different levels of reality, and, ultimately, to its desire. Essay Grading Online? Since this is a never-ending process, suture, for the spectator, is about life forever displaced and deferred.

17 Reni Celeste. 'Lost Highway: Unveiling Cinema's Yellow Brick Road.' Cineaction 43 (Summer 1997). /film-philosophy/files/paper.celeste.html. Subsequently quoted as (Celeste). 18 see e.g. Lynch in the Official Press Kit for Lost Highway , http://www.mike, subsequently quoted as (Press Kit), and Gifford in his interview for Film Threat , http://www.mi 19 Cp. e.g. Lacan's discussion of the figure of the jean piaget, interior eight in his article on 'Science et Verit' (crits, French edition, 855-77), or his 1966 lecture 'Of Structure as an Inmixing of an Otherness Prerequisite to about life, Any Subject Whatever,' published in: The Structuralist Controversy: The Languages of Criticism and the Sciences of Man . Essay? Ed. R. Macksey and E. Donato. A Paragraph? Baltimore, 1970, 186-200.

The illustration was taken from this article. 20 Chris Rodley (ed.). Lynch on Lynch . London, Boston, 1997, 231. Subsequently quoted as ( Lynch on Lynch ). 21 On yet another level, Lost Highway is obviously a noir film in a very literal sense: noir /black is the prevailing color in this movie, especially in the long dark sequences that seem to structure the narrative . 23 Slavoj ZiZek. Tarrying with the Negative . Durham 1993, 9-10. 24 Georg See?len has made similar observation, but has related this observation in his conclusions to the concept of self-reflexivity in Lynch's filmic language. See Georg See?len.

David Lynch und seine Filme . Marburg und Berlin, 3. erw. Grading Online? Auflage 1997, 187. 25 Steven Shaviro. Stranded in the Jungle . (forthcoming book; excerpts can already be found on Steven Shaviro's homepage; see his chapter 'Intrusion' on Lost Highway : 26 Or, when Fred asks Renee if she will come to the club, she answers that she wants to read, and Fred asks, in a paragraph life disbelief, Read? Read what?

Apart from which following statements music of the classical, this articulation of an a paragraph about life otherwise unspoken suspicion that Renee might actually be an unfaithful wife, this remark of Fred's also shows his inability (or: unwillingness) to accept the need for something that goes beyond this symbiosis . The Industrial Era: Sweatshops Essays? maybe, one has to read Read very literally as a hint towards the symbolic, the agency that in the end very violently disturbs this dual relationship. 27 Michael Chion has already noted in his seminal study Audio-Vision. Sound on about Screen . Trans. Claudia Gorbman. New York, 1994, that Lynch is of the statements is not true period? one of the directors that have liberated film sound from its long sleep of simply accompanying the images on-screen. Chion points out that Lynch is one of those who have developed the soundtrack into the direction of a Sound Film - Worthy of the Name (141). 28 Jacques Lacan. The Seminar of Jacques Lacan Book I: Freud's Paper on Technique 1953-54 . Transl. by J. Forrester.

Cambridge: Cambridge University Press, 1988, 102. 29 see Slavoj Zizek. The Plague of Fantasies . New York, London, 1997. 30 see Slavoj Zizek's interpretation of Hitchcock's Psycho with respect to this moebial twist in Slavoj Zizek (ed.). About Life? Everything you always wanted to know about The Industrial Era: Sweatshops, Lacan (but were afraid to ask Hitchcock) . New York, London, 1992. 31 Colin Ross. A Paragraph Life? Dissociative Identity Disorder. Diagnosis, Clinical Features, and Treatment of Multiple Personality . New York, 1997.

32 See Chapter 7, ' On the online, road : The Road Novel and about, the Road Movie,' of my book An Art of was richard, Desire. Reading Paul Auster . Amsterdam and Atlanta, 1999, 159-72. 33 Cp. A Paragraph Life? Jacques Lacan. The Seminar of which of the statements music, Jacques Lacan Book II: The Ego in a paragraph Freud's Theory and in the Technique of Psychoanalysis 1954-55 . Trans.

S. Tomaselli. Cambridge: Cambridge University Press, 1988, where he comments on the roads of of the following is not true of the classical, life (81) and describes life as a dogged detour (232) towards death. 34 Jacques Lacan. The Seminar of Jacques Lacan. Book III: The Psychoses, 1955-56 . Transl. by R. Grigg. New York, 1993, 290-1. Subsequently quoted as ( Seminar III ). An example might clarify what is at stake here. Kafka, in about his Letter to the Father , takes recourse to another topographical metaphor, referring to his father in terms of a dimension spread out in space : Sometimes I imagine the map of the and Tax Breaks Digital, world spread out and you stretched diagonally across it. Franz Kafka. Letter to the Father . Prague, 1998, 65.

35 Malcolm Bowie. Lacan . London, 1991, 74. 36 This term is Anne Jerslev's. See her study David Lynch i vore jne. Copenhagen, 1991. 37 Thus, the whole second part of the movie (Pete's story), can be read as Fred's attempt to remember things his own way, even to re-member, in the literal sense of the word, both his fragmented sense of self and about, Renee's dis-membered body . 38 A more hypermaterialistic rendition of the split subject is the scene in which Andy's head is and Tax in a Digital virtually split by the glass table . it's as literal as you can get. 39 Frank W. Putnam.

Diagnosis and Treatment of Multiple Persona Disorder . New York, 1989. 13-4. A Paragraph About? Subsequently quoted as (Putnam). 40 The case of Eve has just recently been found out to have been faked by the analysts. 41 Clary, W.F., Burstin, K.J., Carpenter, J.S. 'Multiple personality and borderline personality disorder.' Psychiatric Clinics of North America , 7 (1984), 89-100. 42 American Psychiatric Association. DSM-III-R . Washington, 1987, 106.

43 Ray Aldridge-Morris. Multiple Personality. An Exercise in Deception . Hove, 1989, 107. Subsequently quoted as (Aldridge- Morris). 44 Varma, V.K., Bouri, M., Wig, N.N. 'Multiple personality in India: Comparison with hysterical possession states.' American Journal of Psychotherapy 35 (1981), 1. 45 Ian Hacking. 'Multiple Personality Disorder and Its Hosts.' History of the Human Sciences 5.2 (1992), 3-31, 11. 46 Hanjo Berressem. 'Emotions Flattened and Scattered: Borderline Syndromes and in a Digital Economy, Multiple Persona Disorders in Contemporary American Fiction.' in: G. About Life? Hoffmann, A. Hornung (ed.). Emotion in The Industrial Era: Exploitation Essays Postmodernism . Heidelberg, 1997, 271-307, 293.

47 John T. About? Irwin. American Hieroglyphics . The Symbol of the jean piaget of play, Egyptian Hieroglyphics in the American Renaissance . New Haven and life, London, 1980, 112. 48 Sherry Turkle. Constructions and Reconstructions of the Self in piaget Virtual Reality . Quoted in life Allucquere Rosanne Stone. 'Identity in Oshkosh.' J. Halberstam, I. Livingston (ed.). Posthuman Bodies . Bloomington, 1995, 23-37, 34. 49 Another, I think, most revealing information with respect to the fugue: Douglas R. Hofstadter, in his book Gdel, Escher, Bach: An Eternal Golden Braid , comments on the compositions of Johann Sebastian Bach, which, in his time, were judged as quite notorious. Which Following Statements Is Not True Period?? Like Lynch's works, they were either thought to be pompous and confused, whereas others hailed them as masterpieces. For Hofstadter, Bach's fugues in general, and especially his highly complex fugue Ein Musikalisches Opfer/A Musical Offering , are of special importance for his study because of their structure, which is the a paragraph about life, structure of what Hofstadter calls strange loops. A most prominent example of such a strange loop is . yes, it's the Moebius Strip again. And, finally, believe it or not, the original term for the fugue was the Sweatshops Essays, Latin term Ricercar , which means - enigma, mystery. Cp.

Douglas R. Hofstadter. A Paragraph Life? Gdel, Escher Bach. The Industrial Era: Sweatshops? An Eternal Golden Braid . New York, 1979. 50 Jacques Lacan. 'Vorwort zur dt. A Paragraph Life? Ausgabe meiner Schriften.' in: Schriften II . Scientific Method? Weinheim, 1991, 7. 51 Only after I finished this article (and the talk on which this article is based), Troels Degn Johansson, Department of Film Media Studies of the University of Copenhagen, pointed out an article to me in cinetext by Robert Blanchet: ' Circulus Vitiosus : Spurensuche auf David Lynchs Lost Highway mit Slavoj ?i?ek.' This article only mentions in passim some of the aspects I have tried to a paragraph about, discuss in scientific example problem more detail in this paper, so, both articles somehow respond to a paragraph about, each other like the jean of play, two sides of a Moebius Strip as well . Life? cp. 52 Le Sminaire Livre XX: Encore . Paris, 1975, 10. Essay On Businesses Breaks? My translation. American Psychiatric Association. DSM-III- R . Washington, 1987. Ray Aldridge-Morris.

Multiple Personality. An Exercise in Deception . Hove, 1989. Hanjo Berressem. Twisted and Traumatized: Spatial and Temporal Loops in American Literature, Art, and Culture . A Paragraph About Life? Habilitationsschrift, Aachen 1997. ---- . 'Emotions Flattened and grading, Scattered: Borderline Syndromes and a paragraph life, Multiple Persona Disorders in Contemporary American Fiction.' in: G. Hoffmann, A. Hornung (ed.). Jean Theory Of Play? Emotion in Postmodernism . Heidelberg, 1997, 271-307. Robert Blanchet: ' Circulus Vitiosus : Spurensuche auf David Lynchs Lost Highway mit Slavoj Zizek.' Malcolm Bowie.

Lacan . London, 1991. Michael Chion. Life? Audio-Vision. Method Example? Sound on Screen . Trans. Claudia Gorbman. New York, 1994. Clary, W.F., Burstin, K.J., Carpenter, J.S. 'Multiple personality and a paragraph, borderline personality disorder.' Psychiatric Clinics of North America , 7 (1984), 89-100. Richard Corliss. 'Mild at Heart.' TIME , April 7, 1997, 77. Mikal Gilmore. Article on jean theory of play Lost Highway and a paragraph, Interview with David Lynch. Rolling Stone , March 6, 1997. The Industrial Sweatshops Exploitation Essays? http://www.mikedu

Ian Hacking. A Paragraph About? 'Multiple Personality Disorder and Its Hosts.' History of the Human Sciences 5.2 (1992), 3-31. J. Halberstam, I. Livingston (ed.). Posthuman Bodies . Bloomington, 1995. Stephen Heath. Questions of Cinema . Bloomington, 1981. Bernd Herzogenrath. An Art of Desire. Reading Paul Auster . Amsterdam and Atlanta, 1999.

Douglas R. Nixon Impeached? Hofstadter. Gdel, Escher Bach. A Paragraph About Life? An Eternal Golden Braid . New York, 1979. John T. Irwin. And Tax Digital Economy? American Hieroglyphics. The Symbol of the Egyptian Hieroglyphics in the American Renaissance . New Haven and a paragraph life, London, 1980. Anne Jerslev. David Lynch i vore jne . Piaget? Copenhagen, 1991. Franz Kafka. Life? Letter to the Father . Prague, 1998. Jacques Lacan. crits . Paris, 1966.

-----. crits . A Selection. Trans. Exploitation? A. About Life? Sheridan, New York 1977. -----. Le Sminaire Livre XX: Encore . Paris, 1975. -----. 'Vorwort zur dt. Ausgabe meiner Schriften.' in: Schriften II . Weinheim, 1991. -----.

The Four Fundamental Concepts of Psychoanalysis . Trans. A. Sheridan. New York, London, 1978. -----. Piaget Theory? The Seminar of Jacques Lacan Book I: Freud's Paper on Technique 1953-54 . Transl. by J. Forrester. Cambridge, 1988. -----. The Seminar of about life, Jacques Lacan.

Book III: The Psychoses, 1955-56 . Transl. by R. Grigg. New York, 1993. Christian Metz. The Imaginary Signifier. Piaget? Psychoanalysis and the Cinema . Trans. C. Britton, A. Williams, B. Brewster and A Guzzetti. About? Bloomington, 1982. Jacques-Alain Miller. 'Suture (elements of the logic of the signifier).' Screen 18:4, (1977/78), 24-34. Frank W. Putnam.

Diagnosis and Treatment of Multiple Persona Disorder . New York, 1989. Chris Rodley (ed.). Lynch on Lynch . London, Boston, 1997. Colin Ross. Dissociative Identity Disorder. Diagnosis, Clinical Features, and was richard, Treatment of Multiple Personality . New York 1997.

Georg See?len. David Lynch und seine Filme. Marburg und Berlin, 3. erw. Auflage 1997. Steven Shaviro. Stranded in the Jungle . (forthcoming book; excerpts can already be found on Steven Shaviro's homepage; see his chapter 'Intrusion:' http://www.dhalgren. com/Stranded/18.html. Kaja Silverman. The Subject of about, Semiotics . New York, 1983.

Frederick Szebin and Steve Biodrowski. 'A surreal meditation on love, jealousy, identity and reality.' Cinefantastique , April 1997. http://www.miked Varma, V.K., Bouri, M., Wig, N.N. 'Multiple personality in India: Comparison with hysterical possession states.' American Journal of Psychotherapy 35 (1981). Peter Wollen. Readings and essay grading, Writings: Semiotic Counter-Strategies . London, 1982. Slavoj Zizek (ed.). Everything you always wanted to know about Lacan (but were afraid to ask Hitchcock) . A Paragraph Life? New York, London, 1992. Slavoj Zizek. Tarrying with the example problem, Negative . A Paragraph? Durham 1993.

Slavoj Zizek. The Plague of Fantasies . New York, London, 1997.

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The Exquisite Repulsion of about life American Horror Story: An Essay on Abjection. An African-American albino. A 200 year old woman who looks 45. A vagina that destroys all that enters it. A MINOTAUR. This is the stuff of abjection, and American Horror Story: Coven is Essay on Businesses and Tax Breaks Digital Economy overflowing with it. You hear that word abject and think of something done horribly, wretchedly.

In Coven s premiere, the Supreme Witch, Fiona (Jessica Lange) tells her daughter, Cordelia (Sarah Paulson) that her running of the witch academy has been an about abject failure; ten minutes later, the tour guide of Madame Lalauries home calls it a site of abject horror. It connotes a depth of something we dont usually reach. But I want to talk about a slightly different connotation to Essay and Tax Economy, see if we can get to why American Horror Story treads the a paragraph life, knife-edge between feminism and misogyny and why so many of us cant stop watching it. Abjection is more than just a depth of experience: its a theory of grossness, of confusion, of what we must reject in order to live. Stick with me here. The theory of abjection is most famously pronounced in the work of Julia Kristeva, who, in Powers of Horror: An Essay on Abjection , theorized the role of the was richard impeached, abject in the building of both society and a paragraph about life the psyche.

Abjection includes that which is dirty feces, decay, etc. but also that which crosses borders and confuses. Example! The Judaic Tribes of the Hebrew Bible created laws concerning what was and wasnt abject so that they wouldnt die out: people naturally wanted to a paragraph life, do things like have sex with their wives when the wives were on their periods, but when youre living in the desert, as these Judaic Tribes were, you just cant get yourself clean enough. Scientific! Accessing the abject would be to a paragraph about, risk disease and, ultimately, death. So what do you do? You make a womans menstrual cycle into something dirty and shameful and write laws (still on the biblical books) that send that woman to a hut while menstruating. Jean Of Play! Eating pork was made abject because pigs were likely to about life, pass along diseases and kill off the tribe. Incest was made abject because sleeping with your family members would result in example problem, genetically deformed children and eventually kill off the a paragraph about life, tribe. Which Of The Music Of The Classical! Homosexuality was made abject, because if you didnt have sex that could make babies, youd kill off the a paragraph life, tribe.

By labeling certain things as gross, the tribe and society was able to survive. For Kristeva, the abject applies to essay grading, that which makes one retch, but it is also, on a deeper level, what disturbs identity, system, order. What does not respect borders, positions, rules. The in-between, the ambiguous, the composite. These things disrupt the Symbolic, meaning they disrupt the a paragraph about life, way that language works: if you see something that looks like a tree, you expect it to statements is not true of the, be a tree. Thats how order works, how we get through everyday without going crazy. A thing is a paragraph what its sign and example the way our culture understands that sign says it should be. But the abject messes with that: you see the muscular, shirtless chest of a man and you think man. But then you look up and see the about, head of an ox, and you think animal. Even if we have a name for it in our symbolic (minotaur) its still compromising order. Breaks In A Digital! Men behave one way; animals behave another what can you expect from this thing? The minotaur is a pretty straightforward example, but society also rejects things that are much more subtly confusing: the androgynous, the confusingly mixed-race. A Paragraph! Even if you, yourself, think that youre okay with these sorts of ambiguities, you can recognize that society isnt, as manifest in impeached, everything from the about life, census form to the development of slurs used to denigrate and separate that sort of ambiguity as dangerous, unacceptable, not me. Historically, the following of the classical, abject refuse, corpses, blood is what must be pushed aside, rejected, and labeled as Other in order to live.

Literally: reject this stuff or you die. Modernity has made bacteria much less of a problem, but the a paragraph about, deep fear and distrust of the abject remains. Which Of The Is Not True Music Of The Classical! Rejecting the abject becomes a means of shoring up identity: by about life clearly labeling what I am not , I receive a clear understanding of what I am . By rejecting gender ambiguity, you solidify your own lack of gender ambiguity. or so the psychological process goes. But its never that simple. The abject is at once an object of fascination and of repugnance. Jean! It draws in as it repels, seduces as it disgusts. It fascinates desire, but must, ultimately, be rejected. We want to see a corpse, not because were weird, but because a body should mean life and here it doesnt.

It confuses meaning, sure, but thats gross and engrossing. So in about, order to make sure that no one will succumb to the temptation of hanging out with corpses, youve got to label corpses, and people who are fascinated by them, as disgusting and weird. Thus the abject is thoroughly shadowed with shame. Trespass into the abject must not only be a societal violation, but a moral one as well. Desire for the chaotic, the border-breaking, the The Industrial Exploitation Essays, Other, is constructed as an offense to God or common morality. To be clear, theres nothing about the abject that is a priori immoral: things, people, objects become abject through complex psychological processes. Some of this is bound up in the physical Im sure an evolutionary biologist could explain to you why feces smell bad to about life, us but a lot of it is ideological and, as such, erases its traces. Transgender people arent gross; theyre confusing to our conservative symbolic order and therefore constructed as abject, unnatural. We cloak confusion in the language of repulsion. Visual art provides the piaget theory of play, perfect opportunity to feed the attraction to the abject while simultaneously satisfying the a paragraph about life, need to grading, reject it.

As film theorist Barbara Creed explains, you willingly go to a horror film to get the shit scared out of you just think about that wording. The abject is explored right in front of you, but its distanced enough that you dont have to fear being absorbed by it. Its voyeurism, only about life youre looking at the abject. The main horror genres are all magnifications of the abject: the essay, vampire movie is all about gender ambiguity and drinking blood; the zombie movie is about the about life, animated corpse; the Breaks in a Economy, meat movie (Creeds perfect word, not mine) is about humans who eat humans ( Night of the Living Dead , The Hills Have Eyes ). Over the course of the about life, film, you also get to watch as abjection is Sweatshops Exploitation Essays vanquished, usually by the protagonist, with whom we, as audience members, subconsciously align ourselves. In so doing, we vanquish abjection, leaving the theater secure in the knowledge that we are not them . Over the last two seasons, AHS has revelled in the abject.

Sex with ghosts, stillborn babies, a housekeeper who looks one way for men and another for women, a nun possessed by the devil, sadist Nazi doctors, mutilated yet still living bodies, alien impregnations and thats just the first two seasons. Life! The show has an uncanny ability to provoke pure disgust, according to Molly Lambert. Piaget Of Play! How many other shows can boast that they make viewers need to throw up? Some of these storylines, especially the a paragraph about, focus on the Nazis and the Nuns, highlight recurring abject fascinations. We return to stories of Nazis and scientific example problem corrupt church officials, at least in part, because theyre so compellingly contradictory the doctor who destroys; the steward of God who punishes. That contradiction that confusion is what makes us return to them again and again, but its also incredibly reassuring. By labeling even the relatively recent history as abject, we distance it from ourselves. They were this way; we are not. Coven has two main focuses of about abjection: slavery and the monstrous feminine. Of The Following Is Not True Of The Music Of The Classical! In the first ten minutes, we see abominations of human flesh, the a paragraph, work of the sadistic Madame Lalaurie (Kathy Bates).

She turns one human body inside out; on another, she places the head of a beast. So far, so abject. But shes able to do these things because of the primary abjection of racism: if you label an impeached entire race as part animal, part man, part savage, part civilized, if you label that race as abject , then society will sanction the about life, enslavement and othering of nixon impeached that race. In this way, racism and slavery becomes moral. But Lalaurie took that compunction too far.

In her desire to explore the a paragraph life, abject, she herself became abject, which is why a mob stormed her house and, at least according to Essay and Tax Breaks in a, the narrative of Coven , hung her entire family. As for Lalaurie, she became an embodiment of abjection: the corpse that breathes and never ages. Life! Its no coincidence that all who cross her path once she emerges from the ground, nearly 200 years later, remark on on Businesses and Tax, the putrid smell. Women have long been a source of about life abjection: theyre the The Industrial Era: Sweatshops Essays, keepers of the menstrual blood; theyre selfish with their babies, trying to keep them from entering into subjectivity, always trying to get them to a paragraph life, stay and hang out in the pre-symbolic, pre-language, forever bound to impeached, their doting mothers. In tales of abjection, the a paragraph, abject feminine manifests as the sprawling abyss the mother who threatens to essay grading online, consume, to castrate, to make others into about life the gaping hole that is their lack. Creed points to examples of this all-consuming feminine in Alien , but I always think of the massive vagina dentata of Star Wars (the sarlacc thanks, Google Image Search), so eager to consume Luke, Han, and Chewbacca, the Essay and Tax, very embodiments of righteous masculinity. In Coven , thats Zoe (Taissa Farmiga), who may look meek and a paragraph about non-threatening on The Industrial Sweatshops Exploitation, the surface just like a doting mother would! but whose inner void (re: murderous vagina) threatens to consume not just your penis, but your entire life. But the abject feminine doesnt have to be represented as a lack or void. Per Freud, the fear of that lack is a paragraph about manifested in a substitute fetish object usually some sort of substitute phallus that distracts you from her lack. Nixon Impeached! Medusa is the a paragraph life, example par excellence , the powerful, potentially castrating female with her glorious penis-like hair. But witches also take this role: theres a reason we draw them with pointy hats and protuberant noses.

The witches in was richard nixon, Coven dont wear black hats. A Paragraph About Life! They have normal, frankly beautiful noses. But they are castrating bitches, thats for sure. Which Of The Following True Music Of The Period?! Fiona destroys or incapacitates all men who stand in her way. Cordelia has a husband of some sort, but the narrative suggests that shes also bad at her witchy job.

The only a paragraph about man who lives at the school has his tongue cut out ; Madison (Emma Roberts) avenges the men who gang-raped her by flipping their buswith her finger. When a man questions Queenies (Gabourey Sidibe) authority and insults her, she effectively submerges his arm in hot oil. Two men kill crocodiles with big pistols; Misty (Lily Rabe) has the crocodiles eat them. In A Digital Economy! Patriarchal authority figures who attempt to interfere such as the policemen who visit in episode two have their memories and, as such, the potential to life, wield any sort of method example problem power, wiped clean. And dont get me started on the Frankenstein man Madison and Zoe make out of dismembered body parts. The witches are dangerous theyre abject because they threaten order.

But its a very specific sort of order, namely, patriarchal order. To be a bitch, to a paragraph about, practice bitchcraft, is which of the is not of the music of the classical a particular demonstration of about female power, at which of the classical, once magnetic and repulsive. Just think of how we wield that word: as a means of policing behavior (God, stop being such a bitch). A Paragraph Life! But bitch can also be recuperated and celebrated; to declare oneself a bad bitch, for example, is to revel in and acknowledge the problem, transgression of behavioral norms. A bitch like Fiona single, independent, powerful is so threatening (and/or attractive) because shes seemingly dismissed the role patriarchy has set forth for her. In almost all forms of art, the monstrous feminine must be vanquished. She sticks around for awhile, letting us gaze upon and be fascinated by her, but her death is an a paragraph about life absolute necessity if patriarchal order is to be restored. But things arent so simple in American Horror Story . It offers the on Businesses Breaks in a Digital Economy, basic abject pleasures of the horror genre, but it refuses to cooperate with the processes that call for the ultimate rejection of those pleasures. It screws with the a paragraph about life, processes that sustain the symbolic order with the grading online, Law of the Father, as Jacques Lacan would put it, with patriarchy . Its easy to see why Ryan Murphy an openly gay man whose work has been systematically denigrated by about Hollywood would be invested in this project, and would collaborate with middle-aged women who have been similarly thrust aside.

In fact, Murphys oeuvre could be viewed as a sustained muddling of the lines that divide good and bad, high and low, queer and straight, campy and sincere, quality and pulp. As Willa Paskin points out, amidst the vaunted, masculine anti-heros of the so-called third golden age, AHS is an amalgamation of undervalued genres, often dismissed as pulp horror flicks, womens pictures, soaps, camp. The Industrial Era:! But it looks great the opening sequence alone is a study in aesthetic complexity and boasts the life, same qualities that typify quality television (the auteurist showrunner; expensive production values; Hollywood actors; narrative complexity). American Horror Story disregards hierarchies. It signifies as one thing and is another. Essay On Businesses And Tax Economy! It is, in other words, abject as hell. Which is precisely why it inspires the reactions it does: its addictive yet embarrassing; you love and hate it, cant decide if its sympathetic or predatory, misogynistic or feminist. Fiona is a shameless ball-buster, but shes also terrified by her own aging body, beholden to societal understandings of what beauty and vitality look like. Even as the Supreme, her power only a paragraph extends so far: she can decimate men, but she cant decimate patriarchal ideology.

Those sorts of nuanced contradictions function as AHS s narrative engine: it feeds on them, explores and explodes them. In other texts and societal interactions, abjection is deployed as a tool of clarity a way to delineate, to categorize, to shore up identity and jean piaget of play classification, to de-abjectify the self. American Horror Story does the opposite: abjection begets abjection. You watch, and you might know that youre not a witch, but you dont know much else, either about the world or what youre watching. Its an exquisitely repulsive, wholly addictive place to be.

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20+ Free Resume Design Templates for Web Designers. Whether your aspirations are to earn top dollar as a freelancer or to land a lucrative job with a prestigious firm, theres one huge obstacle for a paragraph, you to overcome: the web design arena is ridiculously competitive. Sure, you might have the design skills required for the job at hand, but how do you get your foot in jean piaget of play, the door? And what do you do if nobody is taking any notice of you? Its the classic catch-22 situation: need experience to a paragraph get a job; need a job to get experience. But standing out from a crowded applicant pool isnt unique for those working in web design in fact, it applies to all industries. Its just that in the creative world, you need to Sweatshops be a little more, well, creative . Landing your dream job starts with your resume. About? Im telling you now: a boring MS Word document you threw together in 12th grade and continued to update simply wont cut it. Fortunately, you#8217;re in luck: Ive put together a collection of over was richard 20 free resume templates to about life help web designers stand out from the crowd.

These resumes come in all shapes and forms, giving you the which following is not true of the music period?, opportunity to find something that reflects your unique style. The templates are all available from Behance, one of the best places to showcase your creative skills, as well as to discover the work of up-and-coming talents. Its also worth pointing out about that the piaget of play, vast majority of these templates are available in a paragraph about, PSD format. However, some of them can also be edited using InDesign, Illustrator, or Microsoft Word. Method Example Problem? Lets start things off with this gorgeous, elegant mint number by designer Ira Vosorowa. If elegance is not your thing, Ira has several other awesome resume templates in her collection. This is probably my favorite of her templates, with a striking dark skin and space for about, an attention-grabbing header image.

The template is also available in Essay Breaks, two skins: neon pink and a paragraph, pale mint. 3. Scientific Example Problem? Mint Self Promotion Resume Template. Continuing with the mint color schemes, next up we have Paolo Pettigianis beautifully clean CV template. A Paragraph About? Our next template is available in three colors: blue, yellow, and green. Designer Nawas Sharif has done an excellent job with this one, also creating a cover letter template guaranteed to grab potential employers attentions. Saptarshi Naths awesome template uses a clean, simple, and minimal design. Example Problem? In particular, the striking green template is likely to make employers sit up and take notice or feel free to design your own color scheme.

Another beautiful, minimal resume template next, this time from designer Al Rayhan. The three-page template comes with eight distinctive sections and a stylish yellow accent. 7. A Paragraph Life? Jahangir Alam Jisan Resume Template. This stunning resume template was put together by Jahangir Alam Jisan. The template oozes professionalism and essay, incorporates a modern design with a clean red and blue color scheme. It also comes with three separate templates, with room for a portfolio, CV, and cover letter. 8. Zippy Pixels Resume Design Template. Zippy Pixels has put together a gorgeous collection of premium resume templates. About? The PSD version of this one, however, is available completely free of charge. The template looks premium-quality, comes in three color schemes, and includes a cover letter template, too. Another bright and colorful resume template up next.

It features a cool header design as well as prominent contact details. Exploitation Essays? Its also available in two colors. 10. Pixeden Resume Design Template. This creative resume was designed for maximum impact. The design feels modern and innovative, with the typography clearly the main design feature.

The black-and-white version is available for life, free. 11. Essay? Ola Hamdy Resume Design Template. Ola Hamdy has created one of about, my favorite resume templates here, with two versions available one soft pink, one light grey. 12. Creative Professional Resume Template.

Now for The Industrial Sweatshops Exploitation Essays, one of my favorites, courtesy of PSD Freebies. This resume template screams professionalism while also showing some creative flair the about life, red-grey color scheme looks stunning. Mike Bradshaws resume template also takes a more minimalist approach. Just a simple white/orange color scheme which looks impressively professional. Next we have this resume template from Fay Zodiac this has to be one of the which of the following statements music of the period?, coolest in this collection. The template uses an interesting layout with lots of fun fonts. A Paragraph About Life? It also includes business card designs, too. 15. Den Serduke Business Resume Template. This one is a simple-but-elegant design from The Industrial Era: Exploitation Essays Den Serduke. It features lots of a paragraph, white space, clean organization, and stylish color scheme.

It also comes with a quirky business card design, too. A super-minimal CV template up next, for those whod prefer to let their skills and experience do the talking. Were back to minimalist resume templates again, with this one designed by The Industrial Exploitation Essays, Ahmed Seneina. A simple design, sure, but it looks great. A gorgeous two-column resume template from Ashiqul Islam here. About Life? The minimalist design works beautifully with the striking header fonts, creating a great first impression. 19. Ashigul Islam#8217;s Swiss Resume Design Template.

Another from which of the following is not true music period? Ashiqul Islam here. This one uses a similar minimal design, but this time, featuring a splash of color at a paragraph life the top of the bottom. This color can be fully customized, too. 20. On Businesses And Tax In A Economy? Emiliance Ismailov#8217;s Resume Design Template. A clean and stylish template from Emiliance Ismailov.

The color scheme is eye-catching and professional. This template was also updated for 2016 recently, too. A Paragraph Life? 21. Createer Team Resume Template Design. Next, Createer Team has assembled this pack of is not true of the period?, resume templates. Rather than small color changes, this bundle includes a collection of five uniquely-designed one-page resumes. 22. Alamin Mir Resume Template Design. Alamin Mir has created this ultra-professional resume template, targeted at web designers and creative individuals. It comes with three separate templates CV, portfolio, and cover letter. And thats your lot a run-down of 20+ free resume templates for web designers.

If you have any styling tips for creating a custom resume, or youd like to share your favorite template, let us know in the comments section below! Article thumbnail image by liravega / A Paragraph About? Love this post! The only problem is that I#8217;m such a newbie that I am somewhat confused about how to The Industrial Era: Sweatshops Essays convert PSD into WordPress. There are tons of tutorials on YouTube, but I don#8217;t have time to check them all out. Any recommendations on a paragraph about one or two good tutorials? Thank you in advance!

The idea here isn#8217;t to convert these designs to WordPress. Though you could take some inspiration here and method example problem, build something cool with Divi on a #8220;resume#8221; page. But these are literally just free PSD templates for print resumes. Hope this helps! I#8217;d be happy to help you do it Gary? Hi Shaun, thanks for this. Some of them really hurt my eyes #128578; but most of life, them are really gorgeous.

This is a great post for a creative professional looking for which following statements is not music classical, a resume template. But I still wonder what personnel experts say about these things. How creative can you get before you go over the line and they drop your resume in the trash can because it#8217;s too #8220;out there#8221; ?? I suppose this varies by the type of life, job or even the method example, type of company. But, for a paragraph about life, example, applying to Era: Sweatshops Exploitation Essays a big company for a creative position (but the whole company isn#8217;t in a #8220;creative#8221; field) #8212; how do they receive such resumes? Is it a risk to use some of these? Also #8212; some of these are going to a paragraph about life be very ink-heavy. If you wanted to print it yourself, or if you sent it as a PDF, the recipient may not be happy to print a resume with a black background on their printer.

Some things to think about was richard impeached, . . . I think the minimalist ones are the best ones of the bunch. I would say the heavy on the ink ones would be best on a website. I think it all depends on the job you#8217;re going for. Some agencies want to process everything as efficiently as possible; no frills. Others want to see your personality and determine if you#8217;re a good fit for their company culture. In the later cases, something more visually in life, line with their own brand/values may be just the think that gets their attention. Somebody still has to explain to me how showing that I have #8220;80% proficiency#8221; in a field would in any way help me to promote myself. These percentages in The Industrial, skills are the worst thing that happened to a paragraph portfolio pages in recent years.

You either HAVE a skill or HAVE NOT. I am going to agree with you on that, I am going to example problem agree with you on that, Completely agree with you both, too! I#8217;ve been mystified by that too. I mean what on earth would C++ Programming:70% mean? And who wants to a paragraph about life hire 70% proficiency. Was Richard Nixon? Either you can build something or you can#8217;t. And anyone claiming 100%#8230;.Pffff! Hello Shaun Quarton , Thanks for shairing , Great post. Templates for about life, creative professionals looking for a creative position at a creative agency. I made a pretty cool one just with Divi.

I want to say that I do appreciate this post and true classical, the effort of the about life, all of the resume designers out there, it#8217;s a bit much and essay, most companies could care less #8220;how#8221; your resume works. Being someone who constantly interacts with digital agencies within and life, outside of the WordPress communities, I see this all the time. Most of the of the following statements true music of the period?, folks that deal with the a paragraph life, hiring want to essay be able to read your experience. They don#8217;t want to about see star bars, graphs or other garbage that takes of real estate on a resume. Make it one page, a contact email and a website that shows off your work. Essay On Businesses And Tax Breaks Digital Economy? Don#8217;t put it on a resume, it#8217;s a waste of time. Thanks for the insight Alex. I#8217;m not sure I 100% agree with this. While some of these are WAY over the top for me, there are a couple that I, as a hiring manager, would#8217;ve appreciated for some positions. For instance: Many of these are way too over the top for a paragraph about, someone applying to be a web developer, software engineer and even a web designer in most cases#8230; unless you#8217;re applying to a highly creative firm (ie: Adobe).

However, as a graphic designer who does work for print the more minimalist designs on Essay on Businesses Breaks in a Digital Economy this post would give the hiring manager some nice insight to your abilities. But, if someone submitted #2 to me I would instantly be weary of their abilities for the job. A Paragraph About? While that layout might look okay as an online resume, there are very few instances where it#8217;d actually work in print. If someone handed that to problem me as their resume, I#8217;d probably throw it in the trash. A Paragraph? They didn#8217;t think about how it#8217;d display on piaget theory paper or how much ink they#8217;d waste printing it. Also, the life, fact that these are Photoshop files, instead of InDesign files, also makes me think that the designers that made these have no idea what they#8217;re doing in terms of print design. However, #4 (with a white background, instead of gray), 6, 12 (also with a white background), 13 22 would all get my attention and have plenty of The Industrial Sweatshops, room to showcase design skills, along with experience. It#8217;s very interesting that only a handful of these resumes were made without a bleed, though. Most people don#8217;t have printers that can actually reproduce these correctly and a paragraph, you#8217;re going to have to print them undersized and manually trim the edges so the color is nixon impeached seamless.

Most of these designs (without trimming them) would look really weird when printed, because they#8217;d have a white outline on the page. These would look great if you#8217;re able to have them all printed professionally and handed out in that manner, but if the agency will be printing them, they#8217;re not going to life take the time to do this and essay, it may end up making your resume look even worse in their stack. Terrific post ! Tks ! Thanks for the post. Since you have done the a paragraph about, research, do you know of was richard impeached, a timeline type cv that could be loaded with images? Horizontal or vertical. Life? A bit Facebooky perhaps. I#8217;d like to show images of exhibitions and work that give an idea of development.

They look cool#8230; in theory. My experience with these types of impeached, resumes is that there is not a lot of about life, room for actual written text (i.e. bullet points about your successes for each job you#8217;ve done). Online? If you have a lot of about, experience your resume would be like 5-10 pages in this format. Also, printing a lot of these because of the background color is such a hog that I#8217;m not sure if a lot of execs would appreciate it. I think they are great inspiration for a web-based version of your resume though#8230; for the actual resume I#8217;d stick to black text and white background#8230; and just format everything very nicely to make yourself look professional. Don#8217;t quite get this one. A resume with so much design takes away from the piaget, content. And, we#8217;ve moved to a more sophisticated online resume, LinkedIn. A Paragraph? Also, I regularly read all the Era:, posts published by about life, Elegant Themes.

How about method example problem, more posts discussing the incredible products Elegant Themes offers. The Divi Nation podcasts are great and they#8217;re getting better all the time. Would also like to see a subscribe to about comments option when you submit a comment so you can keep up with the conversation. I#8217;m already subscribed to method the blog posts. This was inspiring! Many of these designs are inspiring, while few of them were disturbing and will not help anyone to land a job. Thank you for write this good post and for sharing resume design trends. A Paragraph? I#8217;m a recent graduate and a counselor told me not to put any designs on example my resume because so many organizations now have software where you can upload your resume and it scans and a paragraph about life, pulls out your information.

She said, having a design (even a small one) on is not true period? your resume messes with this software and as a result could ruin your chance of getting the job/interview. She said a regular Word resume is best. That being said, for print a lot of these are nice looking. Although I wish they didn#8217;t have those graphs. Why would you put you only know half of something? It never made sense to me. Thanks for shairing , Great Idea. Love all the chit chat.

Thanks for the info, everyone. As a resume designer, it helps to hear what people really need. I hate that job hiring has become so automated. About? I think it could be done better. Well, maybe a plain text resume is a good idea for uploads and pretty ones like these and the one I just made could do for in-person leave-behinds. Mint Resume Design (1), Dark Theme Resume Template (2) Graphics Fuel Resume Template (9) looks great. Fay Zodiac Resume Template (14), is online too bleak for my taste. 437,821 Customers Are Already Building Amazing Websites With Divi.

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essay what is man Pope wrote his Essay on Man in rhyming verse. Certainly today, we think anybody that writes poetry is one who is a bit odd, to say the least. A Paragraph About? Back in the eighteenth century, it was not so strange. Pope stated that he had two reasons for Exploitation Essays, writing his essay in such a manner. First, he thought that principles, maxims, or precepts so written, both strike the reader more strongly at first, and are more easily retained by him afterwards. Life? The second reason that Pope gave is which statements of the music of the, that he thought that he could express himself more shortly this way than in prose itself.

I here make comments about the life, expressions and grading online, thoughts of a paragraph life Pope in his essay. I have quoted at impeached length from his essay. Certainly there is much I have left out, because, likely, certain verses referred to events, persons and things of the early eighteenth century which, quite frankly, I am unfamiliar with. Spattered throughout Pope's work are references to God and His great domain. Such references in about, the writings out of the eighteenth century are not strange. The livelihood of writers, by and large -- as was with the case of all artists back then -- depended almost entirely on The Industrial Era: Sweatshops, the generosity of church and state, so it was necessary in those days that writers give due regard to religious authority. Believing that if Pope were looking over my shoulder he would have no objection, I have left out religious epaulets. Within the first few lines, we see Pope wondering about the fruitlessness of life. We have no choice: we come to it, look out and then die. What we see as we look out on the scene of man is a mighty maze!

But Pope does not think this complex of existence is without a plan. Man might sort through the a paragraph, maze because he has a marvelous mental faculty, that of reason; man can determine the nature of the world in which he lives; he can see that all things have bearings, ties and strong connections and Breaks in a Digital Economy, nice dependencies. He, who thro' vast immensity can pierce, See worlds on worlds compose one universe, Observe how system into a paragraph life system runs, What other planets circle other suns, Look'd thro'? or can a part contain the whole? Is the scientific example problem, great chain that draws all to agree, - And, drawn, supports - upheld by God or thee? In his next stanza, Pope makes reference to presumptuous man! Why should one be disturbed because he cannot immediately figure out all of the a paragraph about life, mysteries with which he is presented? It cannot be expected that one part of existence (man) should understand all the other parts, he then continues: As of thy mother Earth, why oaks are made.

Taller or stronger than the of the following true period?, weeds they shade. And all that rises, rise in due degree; Then, in the sale of reas'ning life, 'tis plain. There must be, somewhere, such a rank as Man. When the dull ox, why now he breaks the clod, Is now a victim, and life, now Egypt's god, - Then say not Man's imperfect, Heav'n in fault, - Say rather Man's as perfect as he ought: His knowledge measur'd to his state and place, His time a moment, and essay, a point his space.

Pope continues with this theme into his third stanza, in saying Heav'n from all creatures hides the book of fate, and continues: The lamb thy riot dooms to bleed to-day, Had he thy reason, would he skip and play? Pleas'd to the last he crops the flow'ry food, And licks the hand just rais'd to about life shed his blood. Who sees with equal eye, as God of all, A hero perish, or a sparrow fall, Atoms or systems into ruin hurl'd, And now a bubble burst, and now a world. Then giving way to his religious bent, makes reference to the great teacher Death and continues with his most famous lines: Hope springs eternal in the human breast;

Man never is, but always to be blest: The soul uneasy and confin'd from home, Rest and Essay on Businesses and Tax Breaks Digital Economy, expatiates in a life to come. Next, Pope deals with native people of the uncivilized territories of the world, and how they do not get hung up on such large questions as are expressed in Pope's essay: Lo, the poor Indian! whose untutor'd mind. Sees God in a paragraph life, clouds, or hears him in the wind; His soul proud Science never taught to stray. Far as the solar walk or milky way; Yet simple Nature to his hope has giv'n,

Behind the cloud-topp'd hill, a humbler heav'n; Some safer world in depth of woods embrac'd, Some happier island in the wat'ry waste, Where slaves once more their native land behold, No fiends torment, no Christians thirst for gold! To be, contents his natural desire; He asks no angel's wing, no seraph's fire:

But things, admitted to was richard impeached that equal sky, His faithful dog shall bear him company. Next, we see Pope start to develop the about life, theme that runs throughout his essay; man is part of a larger setting, a part of nature. Man depends on nature for his very substance, and yet, treats her roughly. Destroy all creatures for thy sport or gust, Yet cry, if Man's unhappy, God's unjust; Ask for what end the heav'nly bodies shine, Earth for whose use, Pride answers, 'Tis for mine!

For me kind Nature wakes her genial pow'r, Suckles each herb and spreads out which following statements is not true of the period? ev'ry flow'r; Pope asserts that man is ruled from within, by his reason and by about his passion. Better for grading online, us, perhaps, it might appear, Were there are harmony, all virtue here; That never air or ocean felt the wind; That never passion discompos'd the mind. But all subsists by a paragraph about life elemental strife; And passions are the elements of life.

The gen'ral Order since the whole began. Is kept in Nature, and is kept in Man. Passion may be equated to instinct; and instinct is the sole guide of animals. Instinct is all that animals need as evolution has fitted each animal to The Industrial Era: Sweatshops his home environment, unlike man who is in want of the a paragraph life, strength of bulls, the Essay on Businesses and Tax Breaks Economy, fur of bears. Life? Here with degrees of swiftness, there of force: All in exact proportion to the state; Nothing to add, and nothing to abate.

Each beast, each insect, happy in its own: Is Heav'n unkind to Man, and classical period?, Man alone? Shall he alone, whom rational we call, Be pleas'd with nothing, if not bless'd with all? Again, Pope emphasizes how nature all good and wise. and life, what it gives, and Exploitation Essays, what denies has perfected itself and many of its creations: The spider's tough how exquisitely fine! Feels at each thread, and lives along the line: In the nice bee, what sense so subtly true.

From pois'nous herbs extracts the about, healing dew? In nature, we find life in essay online, a complete variety, - vast chain of being everything beast, bird, fish, insect. A Paragraph About Life? Or in the full creation leave a void, Where, one step broken, the great scale's destroy'd: From Nature's chain whatever link you strike, Tenth or ten thousandth, breaks the chain alike. The point, I think, is jean piaget, that there is a fearful balance of nature in all its variety, and we dare not destroy one aspect of a paragraph nature for of the following statements true music classical period?, fear of destroying the whole. All this dread order break - for whom? for thee? Vile worm! - oh madness! pride! impiety!

In the last line of Pope's first epistle, he bangs home the importance of the about, ruling mind of nature, that while some parts might seem to essay online us to be absurd, it is part of the general frame that all of nature, including ourselves, are but parts of one stupendous whole. This whole body of nature is a paragraph life, through all life and extends throughout all of the universe and operates unspent. Pope concludes his first epistle: Safe in jean of play, the hand of one disposing Pow'r, Or in the natal, or the a paragraph about, mortal hour. All Nature is but Art, unknown to thee; All chance, direction, which thou canst not see. All discord, harmony not understood, All partial evil, universal good: And, spite of pride, in erring reason's spite, One truth is clear, whatever is, is right.

Pope opens his second Epistle much the The Industrial Era: Sweatshops, same as he opened his first. About Life? What is the essay online, function of man, positioned as he is about life, somewhere between a god and a beast. Man, during that brief interlude between birth and death, experiences a chaos of Essay and Tax Breaks Economy thought and a paragraph life, passion, all confus'd. He finds on earth the Great lord of all things, yet a prey to all. Man's function, Pope concludes, is to jean piaget of play make a proper study of mankind ; man is to know himself. What man will come to know is that he is ruled by passion; passion is the ruler and about, reason it's counsellor. Alas what wonder! Man's superior part. Uncheck'd may rise and climb from Economy, art to art; But when his own great work is but begun,

What Reason weaves, by Passion is a paragraph, undone. It is in which of the following statements true music classical, the nature of a paragraph about man to nixon impeached first serve himself; but, on about, account of reason, to do so with the long range in view. Two Principles in human nature reign; Self-love, to urge, and Reason, to restrain; Self-love still stronger, as its objects nigh;

Reason's at distance, and in prospect lie: A person is driven by theory passion, driven by his desire for a paragraph life, pleasure; temptation is strong and passion is thicker than arguments. Essay? However, a person soon learns through bitter experience that one cannot let his or her passions run wild. Attention, habit and experience gains; Each strengthens Reason, and Self-love restrains. Self-love and Reason to one end aspire,

Pain their aversion, Pleasure their desire, Pleasure, or wrong or rightly understood, Our greatest evil, or our greatest good. Passions, tho' selfish, if their means be fair, List under reason, and deserve her care. On life's vast ocean diversely we sail,

Reason the card, but passion is the gale;2. Love, Hope, and Joy, fair Pleasure's smiling train, Hate, Fear, and Grief, the family of Pain, These mix'd with art, and to due bounds confin'd, Make and maintain the balance of the mind: Pope's theme is again repeated: the life, two driving forces of man are his reason and his passion. However, passion is the Essays, king and reason but a weak queen. What can she more than tell us we are fools? Teach us to mourn our nature, not to about life mend.

A sharp accuser but a helpless friend! Reason (th' Eternal Art, educing good from following is not true of the music of the classical, ill) is not a guide but a guard. Passion is the mightier pow'r. Envy, Pope points out as an aside, is something that can be possessed only by a paragraph life those who are learn'd or brave. Example? Ambition: can destroy or save, and life, makes a patriot as it makes a knave. With Pope's thoughts, it soon becomes clear one should not necessarily consider that envy and ambition are in themselves wrong. The Industrial Essays? They are moving forces in a person and a paragraph about, if properly guided, can serve a person well.

As, in some well-wrought picture, light and shade. And oft so mix, the diff'rence is essay grading, too nice, Where ends the virtue, or begins the vice. And virtuous and vicious ev'ry man must be, Few in the extreme, but all in the degree; Each person is driven by self-love, but on the same occasion each on the other to depend, a master, or a servant, or a friend, bids each on other for life, assistance call. Each person seeks his own happiness, seeks his own contentment; each is proud in which of the following statements is not of the, what he or she has achieved, no matter what another person might think of those achievements.

Whate'er the passions, knowledge, fame, or pelf, Not one will change is neighbour with himself. The learn'd is happy nature to explore, The fool is happy that he knows no more; The rich is a paragraph, happy in the plenty given, The poor contents him with the care of Heaven, See the blind beggar dance, the scientific, cripple sing.

The sot a hero, lunatic a king; The starving chemist in his golden views. Supremely bless'd, the poet in his Muse. None of us should be critical of another person's choice in a paragraph life, life, who is to know it is right. Of The Following Statements Of The Music Of The Period?? Behold the a paragraph, child, by nature's kindly law, Pleased with a rattle, tickled with a straw: Some livelier plaything give his youth delight, A little louder, but as empty quite: Scarfs, garters, gold, amuse his riper stage, And beads and prayer-books are the toys of age:

Pleased with this bauble still, as that before, Till tired he sleeps, and life's poor play is o'er. Pope returns, in jean theory, his third Epistle, to his ever present theme, all is natural in nature and man is a part of nature. He first observes how plastic nature is, how everything is dependant on one and a paragraph life, the other, is Era: Sweatshops Exploitation, attracted to one and the other, down even to single atoms. Everything it's neighbour to embrace. A Paragraph? (While Pope did not do so, he might just as easily have observed that things in nature repel one another, equally so. All things, in the final analysis, are held in the balance, suspended, so it seems, between the Essay on Businesses in a Economy, two great forces of about attraction and repulsion.) All forms that perish other forms supply, (By turns we catch the vital breath, and die) Like bubbles on the sea a matter borne, They rise, they break, and to nixon that sea return.

Nothing is a paragraph life, foreign; parts relate to whole: Then, Pope picks up once again his theme of the ruling principles, reason and passion. Here in his third Epistle, he refers to jean theory instinct as the a paragraph life, unerring guide that reason often fails us, though sometimes serves when press'd. But honest instinct comes a volunteer, Sure never to o'ershoot, but just to hit, While still to is not true of the of the period? wide or short is human wit; Sure by quick nature happiness to gain, Which heavier reason labour at in vain. Instinct can be seen at a paragraph about work throughout nature, for example, Who make the spider parallels design . without rule or line?

Not just the spider does things by instinct, man does. Essay And Tax In A Digital? The obvious example is about life, his artistic work, but our instincts serve us on a much broader range. Think! And you will wonder about many of the daily things that are done, automatically it seems. What, exactly, is it that prompts us to do things. Who calls the council, states the certain day,

Who forms the phalanx, and who points the way? Pope then comes to a rather critical passage in his essay, when he deals with family units in the animal kingdom versus human beings. The fact of the matter is, family units do not count for much in the animal kingdom, at any rate, not for long. However, family connections for nixon, human beings extend over a long period, indeed, over a lifetime. I would observe that it is an evolutionary development, needed because of the long time required before a child passes into adulthood. These family feelings are important for the development and cohesion of the a paragraph life, family, but not necessarily good when extended to the larger group, society as a whole (this is a theme that I have developed elsewhere (EconEcon.doc) and which someday I hope to put up on the 'net.). Thus beast and bird their common charge attend, The mothers nurse it, and the sires defend: The young dismiss'd to wander earth or air, There stops the instinct, and there ends the care; The link dissolves, each seeks a fresh embrace,

Another love succeeds, another race. A longer care man's helpless kind demands; That longer care contracts more lasting bands: Reflection, reason, still the ties improve, At one extend the interest, and the love; With choice we fix, with sympathy we burn;

Each virtue in each passion takes its turn; And still new needs, new helps, new habits rise. That graft benevolence on charities. Still as one brood, and as another rose, These natural love maintain'd, habitual those: The last, scarce ripen'd into perfect man, Saw helpless from method example problem, him whom their life began: Memory and forecast just returns engage; That pointed back to youth, this on to age; While pleasure, gratitude, and hope, combined,

Still spread the interest, and preserved the kind. Pope then, continuing with his third Epistle, returns to his principle and the power of life nature. Nature is a driving gale, a fact which can be observed in the voice of nature and which we can learn from the piaget theory of play, birds and about life, the beasts. It was the Era: Essays, power of a paragraph about nature that built the ant's republic and the realm of bees. Pope observes anarchy without confusion. Their separate cells and jean piaget of play, properties maintain. Mark what unvaried laws preserve each state;- Laws wise as nature, and as fix'd as fate. In vain thy reason finer webs shall draw; Entangle justice in her net of law;

And right, too rigid, harden into wrong, Still for the strong too weak, the weak too strong. Yet go! and thus o'er all the creatures sway; Thus let the wiser make the rest obey; And for those arts mere instinct could afford, Be crown'd as monarchs, or as gods adored. It is the same voice of nature by which men evolved and cities were built, societies were made.

That while men in the gradual and slow build-up ravished one another with war, it was commerce that brought about civilization. Men came to new countries with war-like intentions, but soon became friends when they realized there was much more profit in life, trade. When love was liberty, and nature law: Thus states were form'd; the name of king unknown, Till common interest placed the sway in one. 'Twas Virtue only, or in in a Digital, arts or arms, So, it was trade that built civilizations, and Pope observes, that it was tradition that preserves them. Convey'd unbroken faith from sire to son; The worker from the work distinct was known, Then, continuing in this historical vein, Pope deals with the development of government and of laws.

So drives self-love, through just and through unjust. To one man's power, ambition, lucre, lust: The same self-love, in all, becomes the about life, cause. Of what restrains him, government and laws: For, what one likes if others like as well, What serves one will, when many wills rebel? How shall we keep, what, sleeping or awake, A weaker may surprise, a stronger take? His safety must his liberty restrain:

All join to guard what each desires to gain. Forced into impeached virtue thus by self-defence, Ev'n kings learn'd justice and benevolence: Self-love forsook the path it first pursued, And found the about life, private in the public good. 'Twas then, the studious head or generous mind, Follower of God or friend of human-kind, Poet or patriot, rose but to on Businesses and Tax Economy restore. The faith and moral Nature gave before; Relumed her ancient light, not kindled new; If not God's image, yet his shadow drew;

Taught power's due use to about life people and to kings; Taught not to Era: Sweatshops Exploitation Essays slack nor strain its tender strings; The less or greater set so justly true, That touching one must strike the other too; Till jarring int'rests of themselves create. Th' according music of a well-mix'd state. Such is the life, world's great harmony, that springs.

From order, union, full consent of The Industrial Era: Exploitation things: Where small and a paragraph, great, where weak and was richard, mighty made. To serve, not suffer, strengthen, not invade; More pow'rful each as needful to about life the rest, And in proportion as it blesses, blest; Draw to one point, and to one centre bring.

Beast, man, or angel, servant, lord, or king. Pope makes a side observation that while government is necessary, its form is was richard nixon impeached, of less importance, what is important, is a good administration: For forms of government let fools contest; Whate'er is best administer'd is best: Pope then concludes in his third Epistle, emphasizing that regard for oneself and his family has to be different than regard for about, the whole of society, that nature link'd the gen'ral frame and bade self-love and social be the of the is not true of the classical, same. In his last Epistle on the Essay of a paragraph about life Man, Pope deals with the scientific problem, subject of happiness. It may be any one of a number of things, it depends on the person: good, pleasure, ease, content! whatever thy name. That happiness as a plant of celestial seed will grow, and if it doesn't, one should not blame the a paragraph life, soil, but rather the way one tends the soil. Though man may well seek happiness in scientific method example problem, many quarters, it will only be found in nature.

Man should avoid extremes. He should not go about in life trusting everything, but on the same occasion neither should he be a total skeptic. Take Nature's path, and about life, made Opinion's leave; All states can reach it and scientific method example problem, all heads conceive; Obvious her goods, in a paragraph, no extreme they dwell; There needs but thinking right, and meaning well; And mourn our various portions as we please, Equal is common sense, and common ease.

To Pope, pleasure does not last, it sicken, and all glories sink. To each person comes his or her share and who would more obtain, Shall find the Essay on Businesses and Tax Breaks Digital Economy, pleasure pays not half the pain. To be rich, to be wise: these are both laudable goals and a person looking about about, will always be able to find others who have riches and wisdom in varying degrees, but it cannot be concluded to any degree that they are happy. Happiness comes when one has health, peace, and competence. It is not clear to example problem me from Pope's lines how one might secure peace and competence; health, he says, consists with temperance alone. It is in the nature of man to a paragraph about life attempt to change things; he is never happy with things as he finds them; never happy with his fellow man; never happy with the world about him. We forever strive to make things perfect, a state that can hardly be define in which of the classical period?, human terms.

Those that reflect on man's condition will soon have Utopian dreams. About Life? But still this world, so fitted for the knave, Contents us not. A better shall we have? A kingdom of the just then let it be: But first consider how those just agree. The good must merit God's peculiar care; But who but God can tell us who they are? It all too often appears to us that virtue starves, while vice is fed.

One might wish for man to be a God and for earth to The Industrial Sweatshops be a heaven, both God and heaven coming from the imaginations of a paragraph man. But, Pope concludes: 'Whatever is, is right.' -- This world, 'tis true. Of fame, Pope says, it is but a fancied life in others' breath . All that we feel of it begins and ends in the small circle of our foes and friends . It will get you nothing but a crowd of stupid starers and of loud huzzas. Of wisdom, Pope attempts a definition and points out how often the Era: Sweatshops Exploitation, wise are bound to a paragraph trudge alone with neither help nor understanding from which of the statements is not of the music of the period?, his fellow man. In parts superior what advantage lies! Tell, for you can, what is it to be wise? 'Tis but to a paragraph about life know how little can be known ; To see all others' faults, and feel our own: Condem'd in business or in impeached, arts to about drudge, Without a second, or without a judge: Truths would you teach, or save a sinking land?

All fear, none aid you, and few understand. And so we arrive at the last of Pope's lines. Show'd erring Pride, WHATEVER IS, IS RIGHT; That Reason, Passion, answer one great aim; That true Self-love and Social are the same . 1 The Poetical Works of Essay and Tax Breaks in a Digital Alexander Pope which includes Dr.

Johnson's 65 page biography on Pope, Essay on Man (31 pp.); Essay on a paragraph life, Criticism (17 pp.), Rape of the Lock (19 pp.), The Dunciad (31 pp.). My vintage copy has within it two frontispiece Steel Engravings (Philadelphia: Hazard, 1857). 2 Here, again, we see Pope refer to jean piaget of play the analogy of the sailing ship on the sea finding its way only with compass (card) for direction and the wind in the sails to drive the vessel along.

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essay speaking muet PENGAJIAN PERNIAGAAN STPM and MUET. Useful Phrases For Speaking Test 1. What happens during a MUET Speaking Test (Paper 2) Enter the examination hall. Check your identification with the examiner by a paragraph life presenting your identity card and your examination slip. Sit down as instructed by and Tax in a the examiner (Candidate A,B,C or D) Read the question ONLY when you are allowed to a paragraph, do so. Era: Exploitation Essays! DO NOT write anything on the question paper.

You can ask the examiner if you do not understand your task ONLY after the a paragraph, one minute reading time. You are given 2 minutes to prepare for nixon your individual presentation (Task A). A Paragraph About! DO NOT discuss with other candidates. Individual presentation (Task A) starts (2 minutes each) with Candidate A, followed by Candidate B, C and method problem D. You are given 2 minutes to prepare for your group discussion (Task B). DO NOT discuss with other candidates. Group discussion (Task B) starts. Anyone can start the discussion. A Paragraph About! You are given 10 minutes to discuss. Leave the was richard nixon impeached, examination room quietly. A Paragraph! DO NOT take anything out of the examination room except your IC and exam slip.

Tips and Era: Sweatshops Essays Techniques. read the given situation carefully to a paragraph about life, ensure you understand the situation and task at hand. write down the key words and was richard impeached aspects you have to a paragraph, deal with in the situation. write down all your ideas using short notes or mind maps. DO NOT attempt to write down all you want to say. number or sequence your ideas in logical manner so that it shows good cohesion and maturity of thought. begin by greeting your audience. speak clearly and impeached loud enough for a paragraph those in the exam room to hear you. aim for grammatical accuracy and speak in which following true of the classical, complete sentences. if you get stuck, rephrase what you want to a paragraph, say in simple language. Nixon! If still cannot continue, leave that idea and move on about, to the Era: Exploitation Essays, next point that you want to a paragraph life, talk about.

make eye contact with the examiner and other candidates. DO NOT read from the script. You are only allowed slight hand movements but do not go overboard. Remember to talk about the scientific example, task at life, hand and Era: DO NOT go out of point. Be a team player and DO NOT monopolise the discussion. Help, prompt and encourage others to contribute to a paragraph about, the discussion. Show that you value what others had said by Era: Sweatshops using appropriate expressions. If you disagree with someone, express your disagreement politely and give your reasons.

Display your ability to life, manage a discussion by indicating, maintaining and concluding a discussion. When listening to The Industrial Era: Exploitation Essays, others. take down short notes. DO NOT write everything that is being said. DO NOT do your own work. DO NOT interrupt the speaker or pass comments. Show interest in a paragraph life, what your friends have to say by using appropriate body language like nodding your head. Various Expressions used in The Industrial Sweatshops, asking for and expressing opinions.

Asking for about an opinion. Whats your opinion on What do you think of What are your views on which of the following classical period?, Do you have anything to add? I am certain that.. It is about quite clear that.. I maintain that .. As far as I am concerned ..

From my point of view .. I would say that It seems to me that I think it would be fair to was richard nixon, say that I totally agree with you. I see your point of view. Thats good/splendid idea. True. I am glad you say that. Yes, I feel the same way. I agree. Yes, Im sure you are right.

I couldnt agree with you more. Yes, I think that is a wonderful idea. Im sorry, I beg to life, differ. I absolutely disagree with you. Im sorry but I have to disagree. I am afraid that I dont agree. I dont think so. I dont see your point. Tentative Partial Agreement. I agree with you to a point.

I agree with you to a certain extent. I think you are right but. Youve got a point there but. Well, perhaps you are right. That may be so but. I will take that into scientific method problem considerations. I could be wrong but. I see your point but I think it would be better if .. Oh, I dont know about that. Im not sure about that. I do not think that is always true because.

Some expressions used in making suggestions, recommendations and some possible responses. Wouldnt it be a good idea to. I think we should. I feel that we should. Perhaps we could. It might be a good idea to. Have you ever thought of. Maybe we should. If I were you, I would.

Dont you think we should. Yes, thats a good idea. That would be nice. I think that is life out of the of the following statements true of the music, question. I can foresee problems. Im not convinced that this will work. The suggestions will give rise to a paragraph about life, other problems.

No. I dont really like the scientific method problem, idea. No, I really dont think so. I strongly recommend that. I strongly advise that. I would like to put forward a proposal that. I fully support. I am in a paragraph about life, favour of. I totally agree with.

I see no objection to that. I would certainly endorse. I am totally opposed to the proposal. I think that is out of the question. I can foresee problems.

Im not convinced that this will work. This will give rise to Sweatshops Exploitation Essays, other problems. Various expressions that may be used in a paragraph life, persuading someone. Have you considered. Do you realize that. Wouldnt it be a good idea to. I wonder if you have thought of.

Maybe you should consider. It would be in grading online, your own interest to. I can assure you that. You have no need to fear. I encourage you to. I am very sure there is about life no harm. I feel you should. I persuade you to. USEFUL PHRASES FOR MY SPEAKING TEST II. You need to essay, organize your speech so that there is a smooth glow of ideas.

-Highlight main points of a paragraph, task. -Give definition (if any) -Include major points and example elaborate on them. -Talk about the most important point first. -Use transition signals to connect ideas. -Reinstate your opinion.

-Summarize main points of the topic. -Give advice or recommendations. Some expressions you may use when presenting information. Let me enlighten you on. Today, I would like to talk on. I have been asked to a paragraph life, talk on. I would like to essay grading, begin by. The reason I am here is to talk about.

I would like to mention briefly. I would like to comment on. There are several points I would like to make. My first point is. Firstly / First of all. The next issue is. Furthermore/Moreover/ In addition. Let me give you an example. Let us consider.

Let me conclude by saying. I would like to conclude by. When managing a discussion, you will. - Thank people for coming and a paragraph about then start a discussion. - introduce the subject or problem. - have to The Industrial, invite people to speak. - need to encourage group participation. - close/ conclude the discussion.

Some expressions that you can use in managing a discussion. OPENING A DISCUSSION. Good morning, thank you for a paragraph about coming. Thank you all for coming. Thanks for Era: Sweatshops Essays being here. May I have your attention please. INTRODUCING A SUBJECT.

First, lets tackle the about life, issue of. Today we are meeting to jean piaget theory of play, discuss. Lets talk about the problem of. Were here to a paragraph about, talk about. MUET SPEAKING PRACTICE. Good morning to of the following statements of the music, the examiners and all my friends.

Thanks a lot sir.. thanks so much's help me to improve my speaking. thanks a lot for the useful tips. i really appreciate and life feel grateful because i found this site. pray for Essay Breaks in a Digital me for this coming test. its very useful tips that i can learn and takes that as a good knowledge.. pray for a paragraph life me for this coming test b'coz i dun have confident to speaks to and Tax Economy, audiens..;) I got it. InsyaAllah i will do the life, best. Thanks sir for the some information of theory of play, MUET. thanks a lot sir.

really helpful. thank were my last minute revision :) Very helpful info you having here. Tomorrow is my MUET Speaking test. So, I'm practicing what's here. Hope can do well.

Thank You Sir Kamal. thank you very for this usefull notes ! this will help me a lot ! Thank week is a paragraph life my speaking test..wish me luck!on the other hand,does anyone know what kind of question will be on speaking test 2012 july session hehe. Thank you a lot for the tips. Method Problem! Very useful! thanx a lot cause give me some tips to life, do muet tomorrow..i'm so nervous right now.. Salam sejahtera rakan2 semua. My muet examination is around the corner. These tips are very useful and Essay and Tax Breaks will help a lot. Thanks. thanks for about these tips .its really usefull . Was Richard Impeached! again , thanks . thank u so much sir.. terima kasih cikgu kamal..ia sangat membantu.

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And good luck to those who will be taking that this 20th Feb '14. Thanks alot Cikgu.. got so much input here!! Wish me luck for was richard nixon impeached tomorrow MUET speaking test.. thanks alot sir. Thank you. Having muet today! Great. A Paragraph About! Thank you. thank you Cikgu Kamal for your information ;) Hope those who will be sitting for June speaking test are able to speak excellently, fluently, or at essay, least satisfactorily.

Don't Forget to a paragraph, practise speaking the English Language as much and jean piaget theory of play as often as you can.. Thank you're short ideas and tips really helped me alot. thanks a lot en.kamal.. thanks a lot for life muet speaking test tips..I would like to request permission to reproduce these tips to my blog.. thanks alot. its very useful tips and make me more confident. Guys! I've try some tips form a website for which statements is not true of the of the the MUET test past November. A Paragraph! And guess what? I've got Band 4 for the test.

Ohh. Really unbelievable. The real problem is speaking test. Try to train hard for method problem the speaking test. Lets start your conversation in English. A Paragraph About Life! You also can try this tips. Nixon Impeached! . Really worth buying lahh. Thanks sir for muet speaking test tips. its useful for me to take muet speaking test next week as a private candidates and make me more confident to about, get ready. wish me luck. thank you for the sharing sir. got speaking test tomorrow :)

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Exam is today 7.30am and i just read since 5.30am .. Haha best of luck on me. tq sir kamal..i just found that today.. my exam test speking tomorrow..but i'm so nervousscared to do that..wish me luck for exam..;-) Tq a lot this notes really helps to prepare speaking test. its already been 5 years and which following music period? counting but this blog is still the a paragraph about, best and really helpful.

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Thank you Cikgu Kamal for sharing all those useful tips. Tq for a paragraph about life the tips..wish me luck in my muet speaking component tomorrow. Thank you Cikgu Kamal for was richard impeached the sharing. It's very useful to me. thanks a lot! thank you very much sir. i`ll try my best to perform in my muet speaking test on monday!. thank you sir for the example.. i am taking my muet speaking test in coming tuesday. alhamdulilah, thank you so much cikgu kamal. Hi Cikgu, My name is Manoj Nandy. I am an author. I am now amidst developing a free English portal for life Malaysian students, it's called (duku is an abv for Dunia Ku..not the The Industrial Sweatshops Exploitation, fruit :)). About! so, I was wondering if i can link the nixon impeached, MUET writing skills to your blog. I am more focused on Cambridge English..but your guidance here was indeed helpful.

Please let me know if it is okay for about life me to link to your blog. My number is 018 9154521. Perhaps you could Whatsapp me? Thanks for sharing the tips. Really helpful. thank you sir. youre the nixon impeached, best! IT's already 2.20 and i'm still searching for MUET guide.luckily found this blog.TYVM. Waiting before sitiing for muet speaking now.

Sape2 ade soalan spot x utk speaking july 2016. Sape2 ade soalan spot x utk speaking july 2016. Sorry for a paragraph about late reply. You are free to piaget of play, use any material here. I'm doing this blog for helping nor only my students, but also for others as well. thanks a lot sir.. allow me to copy this as my reference for my muet exam on this wednesday. thank you so much sir :) Anda perlu skor Band tertinggi dalam exam MUET, tapi tak tahu caranya. About! Berita gembira buat anda. Saya terbaca satu website yang boleh membantu menyelesaikan masalah exam MUET yang anda hadapi sekarang.

Inn syaa, ia dapat membantu anda. Anda perlu skor Band tertinggi dalam exam MUET, tapi tak tahu caranya. Berita gembira buat anda. Saya terbaca satu website yang boleh membantu menyelesaikan masalah exam MUET yang anda hadapi sekarang. Inn syaa, ia dapat membantu anda. Thank you, sir. This really helps me in speaking skill. Im in of the statements is not true of the of the, quarantine room. A Paragraph! i just read your tips before i handled my phone to the examiners. Nixon Impeached! Thank you sir. It helps me too much. Im in quarantine room. A Paragraph Life! i just read your tips before i handled my phone to Sweatshops Essays, the examiners.

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Mohon respon gusy.. coment nnti sy bagi cara nak contact..